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American
Studies Department Course Descriptions
Spring 2012
AMST 150: America and the World (FGB)
Instructor: Robert Perkinson
Section 1:MW, 12:30-1:20pm/ F, 1:30-2:20pm
Section 2: MW, 12:30-1:20pm/ F, 2:30-3:20pm
Section 3: MW, 12:30-1:20pm/ F, 12:30-1:20pm
AMST 201: American Experience: Institutions and
Movements (DH)
Writing Intensive
Instructor: Stacy Nojima
Section 1: MWF, 8:30-9:20am
Section 2: MWF, 9:30-10:20am
This interdisciplinary course examines diversity and changes in
American values and lives in a historical context as manifested
in social institutions and social movements. It introduces students
to various types of primary materials (such as law, court rulings,
sermons, political manifestos, newspapers, etc.) and to different
methods of reading and analyzing such materials. Using social and
analytical categories such as race, ethnicity, gender, class, and
sexuality, the course examines several critical periods in U.S.
history as well as situates Hawai'i in the context of American experience.
This course fulfills a Manoa Core humanities requirement.
AMST 202: Culture and the Arts (DH)
Writing Intensive
Instructor: Sarah Smorol
Section 1: TR, 7:30-8:45am
Section 2: TR, 9:00-10:15am
This course is an exploration of the relationship between various
art forms and diverse American cultural identities. Additionally,
this course will encourage students to question the ways that we
look at, or "see", Art by examining the "American
Century" two-part exhibit of 2000. Art installations, futuristic
films, architecture, and more will be examined in light of American
social practices. Special attention will be paid to issues of gender,
ethnicity, age, class, and sexuality.
AMST 211: Contemporary Domestic Issues (DS)
Writing Intensive
Instructor: Yu Jung Lee
Section 1: MWF 10:30-11:20am
Section 2: MWF 11:30-12:20pm
This course addresses the diversity of American cultural experiences
and identities (both past and present) through the exploration
of some common realities of everyday life: families, sports, food,
youth culture, and the environment. Our aim is to understand,
in a broadly historical context, the continuing importance of
categories of identity- like race, class, gender, age, sexuality-
while at the same time acknowledging how complex any American
culture or identity actually is, including our own experiences.
We'll conclude the class with a broadly reflective look at the
issues of learning and encouraging changes and difference over
the course of our own lives.
AMST 212: Contemporary American Global
Issues (DS)
Writing Intensive
Instructor: Eriza Bareng
Section 1: MWF 12:30-1:20pm
Section 2: MWF 1:30-2:20pm
This interdisciplinary and writing intensive course is an exploration
of contemporary global issues and attitudes within their historical
contexts. The course will track the influence of American values
and institutions in the world and analyze the effects of U.S. foreign
policy, with a particular focus on U.S. military interventions abroad.
Our topics will take into account the diversity of American values
and perspectives. These will include, but will not be limited to,
foreign policy, the economy, the environment, national security,
international diplomacy, and war. Concurrently, we will discuss
the present role of the U.S. in the world. Although we will be primarily
looking at these issues within their historical context, the course
is designed to draw on a variety of materials including film, literature,
newspapers, documentaries, current news reports, and other primary
source materials such as government documents.
AMST 220: Introduction to Indigenous Studies
(DH)
HAP Designation
Instructor: Brandy Nalani McDougall
Tues/Thurs 9-10:15, KUY 209
The lands that are now known as the United States and its territories
have witnessed a long history of conquest against their indigenous
peoples and ecologies. Many of the details of this violent conquest
are either absent from most American history textbooks, or when
they are explored, are often discussed in terms of "the distant
American past." By and large, this constructed history has
resulted in a relegation of native peoples to the primitive past
and/or an ambivalence toward various native groups in terms of
their efforts to redress injustices, both historic and contemporary,
and to maintain their inherent sovereignty.
This interdisciplinary course aims to overturn these dominant
constructions of history in order to explore contemporary issues
of indigenous cultural identity, representation, sovereignty,
and legal frameworks. For the purposes of this course, Indigenous
Americans includes Native American tribes, Native Alaskans, and
Native Pacific Islanders whose lands are U.S. territories (Kanaka
Maoli, Chamorro, and Samoans) or freely associated with the United
States (the Federated States of Micronesia, the Republic of the
Marshall Islands and the Republic of Belau). As a class, we will
examine the varied experiences and situations of indigenous peoples
in the United States, how indigeneity is framed by dominant American
culture, and the complex ways in which Indigenous Americans are
made to continuously negotiate between traditional and settler
cultures as they struggle for their lands, their rights, and their
futures.
AMST 250 American Film History (DH)
Instructor: Jonna Eagle
Section 1: MWF/9:30-10:20
Section 2: MW/9:30-10:20 F/10:30-11:20
Section 3: MW/9:30-10:20 F/11:30-12:20
This course surveys the social, cultural, and industrial history
of American cinema from the origins of moving pictures to the
present. We will view and discuss a wide range of films, including
silent shorts and early melodramas; classical genre films of the
studio era; Hollywood Renaissance films of the late 1960s and
1970s; action blockbusters of the 1980s and 1990s; and digital
spectacles of today. Alongside historical accounts, we'll consider
key critical approaches to film, including formal analysis, theories
of authorship, and genre studies. Of particular interest will
be the question of how film represents and constructs popular
understandings of gender, race, and ethnicity. Over the course
of the semester students will gain a knowledge of American film
history, an understanding of film style, and a critical interdisciplinary
approach to analyzing onscreen images.
AMST 301: Hip-hop & American Culture
Instructor: David Goldberg
T/R 10:30-11:45 a.m. Moore 119
Few can dispute the fact that Hip-hop culture has become the foundation
of youth culture across the planet. Ranging from it's earliest
introductions through art shows, documentaries and independent
films to it's use as a vehicle of corporate marketing, this course
looks at DJing, beat production, graffiti, breakdancing and rap
from multiple perspectives. The course makes use of texts about
hip-hop's various elements created by cultural practitioners and
looks at the culture objectively from the vantage points of feminism,
activism, sales and the underground. Particular attention is paid
to Hip-hop's influence on other forms of cultural expression and
on those forms that have influenced it.
AMST 310: Japanese Americans (DH)
O Focus
Instructor: Dennis Ogawa
Japanese American life in Hawaii and American society at large.
Historical and cultural heritage. Biographical portraits, changing
family ties, ethnic lifestyle, male and female relations, local
identity and the nature of island living.
DH/OC 001 80019 HIG 110 F 11:30 - 12:20
DH/OC 002 80020 BusAd C103 F 11:30 - 12:20
DH/OC 003 80021 Holm 248 F 11:30 - 12:20
DH/OC 004 80090 KUY 308 F 11:30 - 12:20
DH/OC 005 80091 KUY 308 F 12:30 - 1:20
DH/OC 006 80015 Holm 248 F 12:30 - 1:20
AMST 316: U.S. Women's History (DH)
(crosslisted with HIST 361 & WS 311)
O Focus
Instructor: Vernadette Gonzalez
This course explores the history of women's experience and gender
in U.S. society. It will introduce students to the field of American
women's history, emphasizing the importance of studying what is
often missing in history books-the roles, experiences, and thoughts
of women across the spectrum of American society. While we will
be looking at some of ?the "great women" of American
history, the course will focus more on the aspects of the general
experiences of women and ?their political, social, cultural and
familial relationships. Students will learn conceptual frameworks
with which to understand the role and significance of gender in
culture and society and gain a historical understanding of how
concepts such as "women's rights" and "gender equity"
have been defined and fought over by different groups of women.
AMST 318: Asian America (DH)
Instructor: Pensri Ho
AMST 319: America, Hawai'i, and World War II
(DH)
WI, O, and E Focus
Instructor: Miguel Llora
This is an interdisciplinary exploration of WWII as a watershed
in American and Hawai'i history and culture. Topics include (but
are not limited to): Pearl Harbor, War in the Pacific, Japanese
American Internment, Nanjing, and the dawn of the Atomic Age. Our
mode of engagement is not to look at the events themselves but rather
how they are remembered, forgotten, and mobilized in public history
discourses. This class, therefore, will also provide you an introduction
into the multifaceted arena of public history in America, Religion,
and Law in the United States.
AMST 325: Religion and the Law in the U.S. (DH)
(crosslisted with POL 325)
E Focus
Instructor: Kath Sands
This course explores the intersection of law and religion, with
particular attention to the difficulty of defining religion. We
begin by mastering the pertinent constitutional concepts, then
analyze key church-state cases since the mid-twentieth century.
In the last part of the course, student groups present a mock
trial on a relevant church-state controversy of their own choosing.
Sample controversies include the right to die, same-sex marriage,
the sacred lands of indigenous people, religious challenges to
the teaching of evolution in public schools, and the religious
liberty of American Muslims. Religion & Law has an Ethics
(E) focus, so it will engage ethical questions throughout. These
ethical questions, however, will be public rather than personal
or religious. Our ethical reflection will be guided by the religion
clauses of the constitution, which raise fundamental questions
about the scope of individual freedom and the role of government.
AMST 334: Digital America (DH)
Instructor: David Goldberg
Section 1: T/R 9:00-10:15 a.m. Moore 119
Section 2: T/R 10:30-11:45 a.m. Moore 119
This course explores the landscape of the 21st century United
States as it is being transformed by technologies developed in
the entertainment, consumer, military, medical and economic sectors.
Particular attention is paid to those expressions of US culture
that have found new homes online despite the early optimism that
saw the Net as a place of freedom. Issues of race, gender, class
and violence are explored. This course draws on a range of source
materials including theoretical texts, mainstream film, anime
and artifacts from the cultures of the hacker and the DJ. Because
of the constantly-evolving nature of online culture, historic
and technological foundations will be supplemented by student-led
original comtemporary research, observation and documentation.
AMST 350: Culture and Arts in America: Survey
(DH, OC)
Instructor: Sean Trundle
AMST 373: Fil Am: History, Culture & the
Arts(DS)
Instructor: Roderick Labrador
AMST 382: Junior Seminar (DH)
Majors and Minors Only
Instructor: Jonna Eagle
M: 12:30-3:00
This course is the second half of a two-semester seminar; this semester,
we focus on American cultural origins and development from the early
twentieth century to the present, with emphasis on questions of
citizenship and belonging. We will consider how the study of citizenship
and belonging illuminates key terms and critical frameworks of American
Studies, including questions of empire; of nation and transnation;
of the marking and maintenance of borders; of identity, performance,
and the body; and of the interconnected histories of gender, sexuality,
race, class and ethnicity. Among the questions we will consider
are: how has membership in the national body been established and
policed? How has national identity been imagined in relation to
categories of race, gender and sexuality? How have understandings
of family provided both a foundation for and a challenge to the
inclusions and exclusions of citizenship? How have experiences of
individual identity reinforced or renegotiated the terms and stakes
of belonging?
AMST 411: Japanese American: research topics
(DH, OC)
O Focus
Instructor: Dennis Ogawa
Monday 2:30 - 5:00 p.m. Moore 228
This course examines ethnic identity and Japanese media.
AMST 431: History of American Workers (DH)
Instructor: J. Kraft
AMST 432: Slavery and Freedom (DH)
Instructor: M. Daniel
AMST 436: Gender, Justice, and Law (DS)
Instructor: S. Hippensteele
AMST 440: Race & Racism (DH)
(crosslisted w/ HIST 476)
W (Writing Intensive)
Instructor: Rob Vaughan, PhD
Section 1: Wed 12:30-3:00 PM 328 Moore Hall
Section 2: Wed 03:00-6:00 PM 328 Moore Hall
AMST 440 is an interdisciplinary look at racial ideas and ideologies,
and their effects throughout US history.
AMST 451: Popular Culture (DH)
(W approval pending)
Instructor: Mari Yoshihara
The two main objectives of this course are: (1) to introduce students
to diverse approaches to the study of popular culture in the United
States and (2) to train students to conduct their own research
and write analytically about popular culture. Toward these goals,
the course combines the reading and discussion of scholarly books
with multiple research projects in which students apply the scholarly
ideas to concrete popular culture materials and develop their
own arguments about them. We will examine various forms of popular
culture from different perspectives, including: the political
economy of production and distribution, the politics of representations,
the dynamics of consumer culture, performance of identities, and
the liberatory and incorporating functions of technology and media.
AMST 453: Culture, Society, & Literature
(DL, WI)
(Writing Intensive)
Instructor: Sean Trundle
AMST 456: Art of the United States (DH)
(crosslisted with Art 472)
Writing Intensive
Instructor: Joseph Stanton
This writing-intensive course will examine the development of the
visual arts in America from colonial to contemporary periods.
Joseph Stanton, jstanton@hawaii.edu
AMST 457: Museum Interpretations (DH)
(crosslisted with ART 481)
Writing Intensive & E Focus
Instructor: Karen K. Kosasa
Thursday 2:30-5:00 p.m.
This course focuses on the interpretive practices of museums
and related institutions in the continental U.S., Hawai'i, and
other parts of the world. Museum exhibitions can become sites
of public controversies and battles over the "politics
of representation." Individual viewers or whole communities
may feel that a particular display undermines "traditional
family values" or inappropriately challenges long-held
beliefs about a nation's history. Others may feel that a curator's
interpretive framework inadvertently denigrates a minority community
or overlooks the importance of ethnic, racial, class, gender,
or sexual differences. Thus, museum professionals must carefully
consider and examine the ethical dimensions of their institutional
practices.
Through readings on a wide range of related subjects, brief
lectures, discussions, field trips, and writing assignments,
the class will engage with theoretical, historical, ethical,
and practical issues. Students will develop skills to analyze
interpretive programs as well as practice writing labels and
developing didactic materials for visitors. The course is structured
to weave back and forth between the study of three distinct
but related activities: 1) the interpretation or representation
of objects and phenomena by museum professionals, 2) the reception
of the interpretative materials by museum visitors, and 3) the
ethical implications of the interpretive materials produced
by museums.
Museums are dependent on staff members who combine strong conceptual,
analytical, research, and writing skills, along with creative
problem-solving abilities and a knowledge of the contemporary
ethical issues facing the profession. Multiple opportunities
to develop these skills and abilities will be available throughout
the semester. Students who take this course may be inspired
to work within museums in the future as professionals or volunteers;
to develop projects as artists; or to participate in programs
as informed visitors and patrons.
Course Requirements:
In-class: Learning Log Entries
Three 1-2 page: Interpretive Exhibition Texts
Four 2 page papers: Response Papers, Interpretive Exhibition
Critiques
One 3 page Critical Paper (plus rewrite of this paper)
One 1 page Peer Review of critical paper
One 1/2 page Final Project Proposal
Final Project: Development of an exhibition proposal, narrative
tour, research paper or related project. This project must be
well researched and related to the class material. Students
are expected to submit a written proposal to initiate the project
and make an oral presentation at the end of the semester with
appropriate visual aids and interpretive texts.
Grading:
Student performance during the semester will be evaluated on
a review of the following: attendance, preparedness for class,
participation in class discussions, submission of all written
assignments, and development/presentation of a final project.
The final grade will be assessed according to the following
percentages:
Attendance, Preparation and Participation 30%
Written Assignments 45%
Final Project (includes class presentation) 25%
Texts:
Luke, Timothy. Museum Politics: Power Plays at the Exhibition
Serrell, Beverly. Exhibit Labels: An Interpretive Approach.
Course Reader. (Instructions for purchasing the reader will
be given in class.)
Prerequisite:
Consent of Instructor (K. Kosasa)
Contact Instructor for "Consent Application" at kosasa@hawaii.edu
AMST 459: Sports in America (DS)
Writing Intensive
Instructor: Joseph Stanton
This writing-intensive course examines representations of American
sports in various cultural forms-especially literature, film,
and the visual arts. Historical, social, and aesthetic issues
of athletic performance and spectatorship will be studied in both
fictional and nonfictional contexts.
Joseph Stanton, jstanton@hawaii.edu
AMST 461: America's World Role (DS, WI)
Writing Intensive
Instructor: Jeffrey Tripp
Wednesday 12:30-3:00 p.m.
This course is an interdisciplinary exploration and examination
of America's role in modern world affairs against the background
of history, perceptions, and values. Contemporary American issues
and attitudes are considered within their historical contexts.
War, American Empire, economics, and the evolution of American
values are covered in the course. These are approached from a
variety of critical and contested perspectives and are assessed
with reference to the diversity of American beliefs and values.
The primary reading materials are recently published books.
AMST 481: Senior Research Seminar
Majors Only
Writing Intensive
Instructor: Brandy Nalani McDougall
Thurs 12-2:30 pm, Moore 323
AMST 481 is the capstone course for American Studies majors.
With the close support of the instructor, UH librarians, and other
faculty advisors,
students will have the opportunity to design an original research
project, become an expert in their focused area of interest, formulate
a convincing argument, and write an article-length essay. Above
all, the course will allow students to spread their intellectual
wings, to think imaginatively and creatively, and to explore an
engaging topic in depth. Unlike research seminars in other departments,
students are welcome to deal with topics and methods from across
the humanitiesand social sciences, from film analysis to ethnography
to archival research.
The course will begin with discussions on effective research and
writing, but the bulk of the semester will be devoted to the individual
student projects which the students have already proposed in their
AMST 480 courses. Students will evaluate sources,discuss research
approaches, share excerpts, edit writing, and assess structure
and progress. By the end of the semester, each student will produce
a polished research paper, one she (or he) may consider for publication
or can use as a writing sample for graduate school or job applications.
AMST 500: Master's Plan B/C Studies
Instructor: Robert Perkinson
AMST 602: Patterns of American Culture
Instructor: Vernadette Gonzalez
This seminar examines the culture, society and politics of post-bellum
America, with paying attention to the expansion of U.S. global
power, and its relationship to the changing meanings and lived
realities of race, class and gender both domestically and abroad.
The course will discuss race relations during and after Reconstruction;
U.S. imperialism and its raced and gendered ideologies and institutions;
the emergence of industrial capitalism and the new constituents
it produces; the women's movement and changing relations of gender;
immigration, exclusion, nativism; the emergence of the US as a
global military power during World War II; the Cold War and its
discontents; post-industrial society, urban restructuring and
Civil rights.
AMST 611: Asian America
Instructor: Mari Yoshihara
This course explores Asian American identity formation with a
particular focus on occupational/professional culture. We will
discuss scholarship that examines a variety of occupations/professions
held by Asian Americans, immigrants, and transnational subjects-ranging
from cannery workers, taxi drivers, domestic workers, and manicurists
to nurses, flight attendants, fashion designers, and musicians-to
see how the nature of labor and its place in the economy and culture
shape individual and collective identity. Discussions will center
around how occupation/profession relates to other social categories
such as race, ethnicity, nationality, gender, and sexuality in
shaping cultural identities as well as political agenda for groups
under study. By foregrounding occupations/professions as a category
of analysis, the course problematizes and complicates the privileging
of race in Asian American studies scholarship.
The course has a heavy research component in addition to the critical
discussion of readings. Students will conduct a group research
project on Asian Americans/immigrants in a selected occupational/professional
group in Hawai'i today. Through historical and ethnographic research,
students will produce a collective report on the culture of the
group as well as specific issues the group faces. The report will
be posted online.
AMST 643: Critical Traditions in America
Instructor: David Stannard
Monday 3:30-6:00pm
This course focuses on various resistance movements in American
history. During the Spring Semester of 2012 it will cover the
period from the mid-1950s to the mid-1970s, focusing especially
on the 1960s and the Civil Rights Movement, the Vietnam War, and
the Antiwar Movement.
Only ten days apart, in early May of 1954, two momentous events
occurred that, at the time, appeared to have nothing in common-the
crushing defeat of the French military at the battle of Dien Bien
Phu in Vietnam, and the finding of the US Supreme Court that racially
segregated public schools are prohibited by the Constitution.
A dozen years later the conflict in Southeast Asia had become
America's war: nearly 400,000 US troops were in Vietnam, while
outside the White House protestors chanted "Hey, hey, LBJ,
how many kids did you kill today?" Meanwhile, the Civil Rights
Movement was becoming a struggle for Black Power: during that
same summer of 1966 riots broke out in Chicago, Cleveland, Atlanta,
Los Angeles, and forty more American cities. Martin Luther King,
Jr. was only the most prominent among many who saw the war abroad
and racial oppression at home as innately linked in their fundamental
immorality. Less than a decade later it was over-the US had lost
the war in Vietnam and the struggle for civil rights was once
again being fought largely in the courts.
What had happened, and why? Using documentary film and a wide
range of reading, this course will explore those questions. In
the process we also will examine activism on a variety of related
social and cultural fronts, including the rise of radical feminism,
the struggle for gay rights, the Counterculture and more-along
with the connections among these activities and literature, film,
music, media, and social thought.
Course Requirements: See Instructor
Texts: See Instructor
AMST 645: Historic Preservation
(cross-listed as: ANTH 645)
Instructor: William Chapman
M: 3:30-6:00pm
This course serves graduate students in the Graduate Certificate
in Historic Preservation program and students in Anthropology,
Geography, History, Planning, Architecture, Tourism and any other
field with an emphasis on Cultural Heritage Management and Historic
Preservation. It also serves students in the Applied Archaeology
and Anthropology programs in the Department of Anthropology. The
focus of the course is federal, state and local historic preservation
laws and their impacts on the protection and recording of historic
and cultural sites. A major component will be the existing series
of federal laws and Hawai'i State laws pertaining to cultural
resource management. The course will also discuss case law, particularly
zoning and land-use laws, as they impact historic preservation
in Hawai'i and elsewhere.
AMST 646: Adv Tpcs: Social/Cult/Intell (American
History)
Instructor: R. Rapson
AMST 676: Recording Historic Resources
Instructor: William Chapman
T: 3:30-6:00
The course familiarizes students with the basic techniques used
in the recording and evaluation of historic buildings and other
cultural features. Emphasis is on field survey methods, the compilation
of inventories, and evaluations of significance and/or integrity.
Students will become familiar with State of Hawai`i's own survey
and registration process, with both inventories and methodologies
for field surveys of cultural resources in other states and countries,
and will also be introduced to the requirements of the National
Register of Historic Places Program of the federal government.
There will be further introductions to basic architectural and
other historic resource descriptive terminology, methods of researching
the history and contexts of historic properties, and some training
in the preparation of site plans.
AMST 685: Museums and Education
(cross-listed as: EDCS 685)
Instructor: Karen K. Kosasa
Tuesdays, 3:30-6:00 p.m./Moore 328
In this class students will examine the educational role of museums
by looking at a constellation of related topics: theories of learning
in museums, museum education and outreach programming, American
museum policy and directives, community engagement and collaboration,
visitor studies, and the growth of online learning and digital
initiatives. Students will also explore the relevance of "critical
pedagogy" for developing museum exhibits and programs, for
providing insights on how museums can contribute towards building
a more equitable and participatory society, and for assessing
how they have served as "institutions of public service and
education." Site visits to museums (as a class and on an
individual basis) are required for this course. Students will
choose a final research topic relevant to the course material
with the approval of the instructor.
AMST
686: Museum Studies Practicum
(Museum Studies Certificate students
only)
Section: (1) See Instructor Karen Kosasa
AMST 695: Historic
Preservation Practicum
( Historic Preservation students only)
Section:
(1) See Instructor William Chapman
OUTREACH COLLEGE
COURSES
AMST 201: American Experience: Institutions
& Movements (DH)
Writing Intensive
Instructor: Valerie Lo
January 17-March 24, 2012
Section 231, CRN 3194, Outreach/Extension, Online
This interdisciplinary course examines diversity and changes in
American values and lives in a historical context as manifested
in social institutions and social movements. It introduces students
to various types of primary materials (such as legal documents,
court rulings, journals, political manifestoes, newspaper, blogs,
etc.) and to different methods of reading and analyzing such materials.
Using social and analytical categories such as race, ethnicity,
gender, class, and sexuality, the course examines several critical
periods in United States history and situates Hawai'i within the
context of the American experience. The course fulfills a Manoa
Core humanities requirement.
AMST 301: Hip Hop and American Culture
Instructor: Johanna Almiron
EVENING, Section, 131, CRN 3193: Tuesdays, 5:30- 9:40pm
ONLINE, Section 231, CRN 3180
January 17- March 24
This interdisciplinary course surveys the culture of hip-hop music
from its genesis to contemporary form. Students will examine various
materials and will analyze the development of hip hop culture
in relation to social institutions such as race, class, gender
and sexuality. The first unit will address the fundamental form
of hip hop-- the four elements of deejay, MC, breakdancer and
graffiti. This section enters the discussion on hip hop's origin,
and the historical and social context of the birthplace of hip
hop, the South Bronx, NY. The second unit engages hip hop as social,
political and cultural discourse addressing topics such as community
mobilization, the cultural reference and retention of African
diasporic and Caribbean expression, political consciousness, feminism,
misogyny and masculinity. Finally, the third unit will address
the most current manifestations of hip hop culture and its progression
as a consumer-capitalist phenomenon. This unit will analyze how
hip hop's global cross-over reach has effected the form, style
and content of hip hop, in general. We will conclude the course
by addressing topics such as anti-imperialism, popular representation
in mainstream media, and the contested canonization of hip hop
in elite institutions such as the contemporary art world and the
academe. During the Spring extension semester 2011, there will
be two distinct sections available to students, an online course
(Laulima) and evening course that meets on Tuesday evenings. Please
email almiron@hawaii.edu if you have any questions or concerns.
AMST 317: American Popular Music and Culture
(DH)
Writing Intensive
Instructor: Benjamin Hedge Olson
Section 231, CRN 3199
Online
This course will explore the ways in which popular music and
the cultural practices surrounding it have constructed and influenced
everyday life since the turn of the 20th century. We will discuss
how industrialization and urbanization impacted the emergence
and proliferation of popular music in the 19th and early 20th
centuries, as well as the emergence of youth culture and the
mass distribution of popular music in the 20th and 21st centuries.
We will explore the ways in which popular music has been performed,
listened to and understood throughout these time periods, as
well as how notions such as class, race, nationality and gender
have been incorporated into musical contexts. Music, performance
and subcultural identities allow participants to articulate
unique notions of self, other, place and group that are far
more complex and significant than labels such as "entertainment"
or "fashion" account for. This course is designed
to disentangle both the meanings behind popular music, and the
other cultural activities that have sprung up in conjunction
with popular music in order to achieve a more nuanced understanding
of American culture and identity.
AMST 318: Asian America: Survey (DS)
Writing Intensive, E Focus
Section 231, CRN 1234
Instructor: Valerie Lo
January 17-March 24, 2012
Outreach/Extension, Online
This course is a survey of Asian American immigration history,
social history, labor, politics, and culture from the 1840s
through the present. This course will focus on five major
themes: immigration and migration to the United States and
Hawai`i, ethnic Asian communities, transnational Asians
within and outside of the United States and Hawai`i, work
and labor, and culture and art. Part of the course will
focus specifically on ethnic Asians and Asian Americans
on the mainland United States including, Chinese, Filipino,
Japanese, Vietnamese, Koreans, South Asians/Indians, and
Hmong. The remainder of the course will focus on Asian ethnic
groups in Hawai`i including Japanese, Koreans, Chinese,
Okinawans, Filipinos, and mixed race Asians.
AMST 326: American Folklore (DH)
(crosslisted with ANTH 326)
Writing Intensive and E Focus
Section 231, CRN 3195
Instructor: Heather Diamond, PhD
Online
This course will introduce students to American folklore
as living culture rather than static cultural artifacts.
As an academic discipline, folklore studies is a social
science that looks at the unofficial culture of small communities
that are bound together by common experiences, beliefs,
values, and knowledge. Distinct from the mass production
of popular culture and the hierarchical mechanics of elite
culture, folklore comprises grass-roots cultural expressions
through which communities make richly creative sense of
the world around them and negotiate their social relationships.
As a social phenomenon and set of creative expressions,
folklore is generally passed on through unofficial channels
such as by word of mouth. The study of folklore and folklife
includes a variety of genres such as material culture (e.g.,
quilting, carving, weaving, building), foodways (e.g., family
and holiday recipes), occupational and leisure lore (e.g.,
fishing, building, hunting), folk belief (e.g., remedies,
rituals, charms), oral culture (e.g., jokes, legends, gossip,
personal narratives), performance (e.g., music, dance, pranks),
and children's lore (e.g., games, rhymes). In this course,
we will first delve into folklore as a creative medium and
set of cultural expressions. We will then examine how folklore
is intrinsically embedded in constantly shifting relationships
of power. Because it is closely tied to community identities
at the level of belief and tradition, it can be a potent
tool for covert resistance to dominant culture. However,
the ongoing appropriation of folklore into popular culture
and media attests to its potential to be harnessed as a
tool of social control from outside as well as within communities.
We will consider folklore in relation to the construction
of American national, regional, ethnic, and community identities.
We will also cover folklore in relation to tourism, nationalism,
and current debates over authenticity, tradition, and ownership
of culture.
Required Texts
-Bronner, Simon J. Folk Nation.
-Sims, Martha and Martine Stephens, Ed. Living Folklore:
An Introduction to the Study of People and their Traditions.
-Filene, Benjamin, Romancing the Folk: Public Memory
and the Creation of American Roots Music.
-Tuleja, Tad, Ed. Usable Pasts: Traditions and Group
Expressions in North America.
-Fine, Gary Alan and Patricia Turner. Whispers on the
Color Line: Rumor and Race in America.
AMST 352: Screening Asian Americans (DH)
Writing Intensive
Instructor: Kevin Lim
Online
This course surveys a history of Asian North American representations
on screen and the social/political concerns that give rise to
and emerge from these representations. We will also look specifically
at Asian American independent film and emerging new media practices
and how they shape questions of gender, race and sexuality.
AMST 365: American Empire (DH)
Writing Intensive
Section 231, CRN 3197
Instructor: Karyn Wells
Online
This class is an exploration of historic and contemporary American
foreign and domestic issues, values, and representations which
have framed its expanding realm of global influence. We analyze
intersections of race, gender, and political ideologies that
are integral in shaping "American empire," and interrogate
the real and imagined positionality of America in the world.
AMST 353: Indigenous Topographies
Writing Intensive, Section 231, CRN 3196
Instructor: Karyn Wells
Online
This class will explore how Indigenous knowledges, languages,
and cultures have sustained the continuance of Indigenous place
on Turtle Island. We will also examine the cultural processes
of British and U.S. imperialism that supported/s dispossession
and continued occupation of Indigenous land. Through this interrogation,
we will consider how Indigenous Peoples speak to imperial strategies
to ensure Indigenous survivance.
Updated
11/15/11
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