JOHN SZOSTAK John's research focuses on the field of traditional Japanese painting of the Meiji, Taisho and early Showa eras (mid-19th to early 20th centuries). He has published articles on Meiji-era Japanese war propaganda prints, and on the appropriation of traditional Buddhist imagery and iconography by modernist Japanese painters. His current book project explores the efforts of a Kyoto-based painting collective called the Kokuga Society (Kokuga Sōsaku Kyōkai), active in the 1910s-20s, to modernize and internationalize traditional Japanese painting and exhibition practice. John's other interests include Japanese aesthetics, experimental Japanese photography and film, and developments in contemporary Japan art.
|