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The latest issue of The
Contemporary Pacific (21:1, 2009) features
articles and dialogue pieces on Samoan population movement, the Oceania
Centre for Arts and Culture's Red Wave Collective, a personal story
by Brij Lal, and an essay on Micronesia's place in Pacific studies.
It includes book and media reviews and political reviews for Micronesia
and Polynesia. The featured artist is Tongan painter Lingikoni Vaka`uta.
- The Other Side: Ways of Being and
Place in Vanuatu, by John Patrick Taylor, is the latest volume (number 22) in the center’s
Pacific Islands Monograph Series (PIMS). It explores the social, spatial,
and historical consciousness of the Sia Raga people of north Pentecost,
Vanuatu. In the first major ethnography of this important region, author
John Taylor examines how the historical interaction of indigenous and
foreign cosmologies has affected contemporary cultural expressions
in the region. According to PIMS Editor David Hanlon, “While focused
firmly on north Pentecost, Taylor’s study speaks to a host of broader
issues that include kastom, identity, the meaning of place, the nature
of history, and politics of ethnographic field practices in postcolonial
settings.”
John Taylor is a Simon Research Fellow at the University of Manchester in the
United Kingdom.
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Jean-Marie
Tjibaou, Kanak
Witness to the World: An Intellectual Biography, by
independent scholar Eric Waddell, is number 21 in the center’s Pacific
Islands Monograph Series. According to series editor David Hanlon,
it is an “eloquent, poetic, moving, and deeply personal account of
the life of Jean-Marie Tjibaou, the Kanak political leader and philosopher
whose advocacy of his Melanesian people spoke to others within and
beyond the Pacific region.” The volume is copublished by the East-West
Center’s Pacific Islands Development Program.
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Indigenous Encounters: Reflections on Relations between People
in the Pacific, edited by Katerina Martina Teaiwa, is Center
for Pacific Islands Studies Occasional Paper 43. The pieces in this
collection, most of them by graduate students, reflect on specific
events, places, observations, and experiences. In poetry and prose,
fiction and nonfiction, the writings look at relations between people
in everyday contexts from all corners of the Pacific. Tattoo artist
Vaimu‘a Muliava’s tattoo design is featured on the cover.
Indigenous Encounters is available free of charge from
the Center for Pacific Islands Studies at 1890 East-West Road, Moore
Hall 215, Honolulu, HI 96822; or e-mail cpis@hawaii.edu.
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