Te Kauhiva Tokelau: Composing and Choreographing Cultural Sustainability, by Candice Elanna Steiner, moves from Tokelau to the diaspora, the classroom, and then the stage in order to understand the role of Tokelauan pehe ma fātele (songs and dances) in the culture and language efforts of Te Lumanaki o Tokelau i Amelika, a Tokelau culture and language school based in Central O'ahu in Hawai'i. This is CPIS Occasional Paper 45.
Remaking Pacific Pasts: History, Memory, and Identity in Contemporary Theater from Oceania, by Diana Looser, is the latest volume (number 28) in the Pacific Islands Monograph Series, published by the Center for Pacific Islands Studies and the University of Hawai'i Press. It offers the first full-length comparative study of drama by Pacific playwrights, with an overview of significant works produced throughout the region over the past fifty years. Detailed case studies focus on how Pacific dramatists, actors, and directors have used theatrical performance to critically engage the Pacific's colonial and postcolonial histories in Hawai'i, Aotearoa/New Zealand, New Caledonia/Kanaky, and Fiji.
The latest issue of The Contemporary Pacific (26:2, 2014) is a special issue, Global Sport in the Pacific, guest-edited by Fa'anofo Lisaclaire (Lisa) Uperesa and Tom Mountjoy. In addition to an introduction, seven articles, and an epilogue, it includes an essay on resources for researching the topic. The photography of artist Greg Semu is featured. Reviews of issues and events in Melanesia and the region as a whole, along with numerous book and media reviews, round out the issue.
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