Center for South Asian Studies | University of Hawai‘i at Mānoa

News

Sep 14, 2016
Graduate Certificate Program in South Asian Studies

The Graduate Certificate Program in South Asian Studies, offered by the Asian Studies Program, affords a structured way for graduate and professional students to gain cutting-edge knowledge of South Asia, augment their major field of study, and enhance future employment opportunities. With a wide variety of courses crosscutting many disciplines, students can tailor the certificate program to meet their academic and career goals. For further information, please see the Asian Studies Website.

 

 


Sep 7, 2016
Job Advertisement for Assistant Professor

The Asian Studies Program, School of Pacific and Asian Studies, University of Hawai‘i at Mānoa, seeks an Asianist to fill a 9-month, tenure-track, full-time assistant professorship (position number 0088773), to begin August 1, 2017, pending availability of funds. Salary commensurate with qualifications and experience.

The candidate must have a demonstrated expertise in South Asia or Japan/Okinawa, and the ability to teach interdisciplinary undergraduate and graduate courses that cross area boundaries in Asia.

Duties and responsibilities include developing and teaching four Asian Studies courses per year, advising undergraduate and graduate students, maintaining an active agenda of scholarly research and publication; participating, as appropriate, in program-building and other service work for the University and academic community; and working collaboratively and collegially with diverse groups of students and faculty.

Minimum Qualifications: earned PhD (in hand at time of appointment) from a university of recognized standing in a humanities, social science or related interdisciplinary field with emphasis on South Asia or Japan/Okinawa. Research competence in a South Asian language or Japanese and evidence of active research agenda in Asia. Ability to develop and teach innovative inter-Asia courses at the undergraduate and graduate level.

Desirable Qualifications: we are particularly interested in candidates whose work addresses issues of concern in contemporary Asia, such as environmental issues, social and cultural movements, non-traditional security issues, or the arts.

Applications must be received no later than November 15, 2016. Electronic submission is preferred. Candidates for interviews will be notified by January 31, 2017.

 

To Apply Click Here

 

 


Aug 28, 2016
Workshop on Caste and Life Narratives

The Center for South Asian Studies (CSAS) is pleased to announce that a workshop on ‘Caste and Life Narrative’ is going to be held from Aug 31 to Sep 2, 2016. This is a special issue of Biography: An Interdisciplinary Quarterly. The workshop not only includes twelve thought-provoking paper sessions on caste and narratives but also has open discussions.

Guest Editors

S. Shankar
Department of English, University of Hawai‘i at Mānoa, USA and

Charu Gupta
Department of History, University of Delhi, India

Program Schedule:

Wednesday, August 31, 2016
Burns Hall, 1601 East-West Road, Room 4115

Thursday, September 1, 2016
Hawai‘i Imin Conference Center, 1777 East-West Road, Room 207

Friday, September 2, 2016
Center for Biographical Research, 1800 East-West Road, Room 325

CSAS is also proud to have the opportunity to co-organize the Thursday workshop. 

Download the Event Schedule

we look forward to your participation.


Aug 24, 2016
AIBS Fellowship Application
AIBS Call for Fellowship Applications NOW OPEN
Deadline for the application is Sunday, October 2, 2016
(For US Citizens conducting research involving Bangladesh)

The American Institute of Bangladesh Studies is currently accepting research fellowship applications for scholars interested in conducting research that involves Bangladesh in all academic disciplines. AIBS fellowships are supported by the US Department of State’s Bureau of Educational and Cultural Affairs through the Council of American Overseas Research Centers. All fellowship travel is subject to State Department travel restrictions. Due to potential security concerns in Bangladesh, junior and pre-dissertation scholars must carry out research in a country other than Bangladesh or the US, subject to available funding. Senior scholars may propose travel to Bangladesh, but travel may be suspended or adjusted subject to the approval of AIBS and the current security situation in Bangladesh at the time of travel. Deadline for the application is Sunday, October 2, 2016 (11:59 CST).  Fellowships may begin as soon as December 15, 2016, but must be complete by September 30, 2019. Please go to the AIBS website at www.aibs.net for additional information about fellowships and on-line application, click on the Fellowships tab.


Apr 4, 2016
South Asia Related Films at HIFF April 2-10

The 2016 HIFF (Hawaiian International Film Festival) Spring Showcase presented by Halekulani is right around the corner, April 2-10, 2016 at the Regal Dole Cannery Stadium 18.

The UH Center for South Asian Studies is a Film Outreach Partner for HIFF

Check out the following films relating to South Asia which will be showcased:

ZUBAAN44776-Zubaan (2016)
Dilsher, born to a poor Punjabi family, ventures to the big city, seeking to find his true self. He soon runs up the ranks of a major corporation and becoming the adopted son of the CEO, much to the chagrin of the boss’ own spoiled son and conniving wife. He also connects with Amira, a tormented singer who reconnects him with music that he loved but once abandoned. Dilsher is faced with a difficult choice; to climb the corporate ladder or return to his musical roots?
Thursday, April 7     8:00 PM
Sunday, April 10      2:15 PM
http://program.hiff.org/films/detail/zubaan_2016
The_Man_Who_Knew_Infinity_(film)THE MAN WHO KNEW INFINITY
Featuring terrific performances by SLUMDOG MILLIONAIRE star Dev Patel and Academy Award winner Jeremy Irons, THE MAN WHO KNEW INFINITY tells the story of Srinivasa Ramanujan, the Indian mathematician whose contributions to number theory, continued fractions, and infinite series revolutionized the field. This sweeping historical film about high science and the tragic repercussions of racism amongst the ostensibly enlightened is a testament to the wonder and precariousness of genius — and the power of friendship to change the world.

Opening near the dawn of the twentieth century, the film follows Ramanujan (Patel) from his humble roots in Madras — where opportunities for someone of Ramanujan’s abilities are few — to Cambridge University, where the young prodigy’s visionary theories attract the attention of English mathematician G.H. Hardy (Irons). The chance to work in the same hallowed halls where Isaac Newton formulated the laws of motion and universal gravitation is a dream come true for Ramanujan, but also proves to be a sort of nightmare. His colleagues, unable to see beyond his dark skin and unfamiliar culture, harass and humiliate him, while Hardy insists that Ramanujan deliver countless proofs before being allowed to publish his work.
Sunday, April 3     12:30 PM
Sunday, April 10    12:00 PM
http://program.hiff.org/films/detail/man_who_knew_infinity_the_2016


Mar 31, 2016
CSAS Spring Symposium: ‘Borders and Mobility’ (April 7-8, 2016)

bordersandmobility banner

All events are free and open to the public

Generously supported and funded by the GJ & Ellen Watumull Foundation and
The Dai Ho Chun Lecture Series

Click here for the flyer

SCHEDULE

Keynote Speakers:

Jason Cons, Thursday April 7th, 9:00-10:15am, Hamilton Library 401

  • Title: “Climatic Territories: Technologies of Resilience and Emplacement in the India-Bangladesh Borderlands”

Vazira Zamindar, Thursday April 7th, 1:30-2:45pm, Hamilton Library 401

  • Title: “Black Margins: The Minority in Question”

Kazim Ali, April 7th, 7:00-8:00pm, Kuykendall 410

  • Title: “Border-crossing and The Undocumented Divine: Genres, Genders, Geographies”

(This keynote is cosponsored and funded by the Dai Ho Chun Lecture Series)

Harsha Walia, April 8th, 9:00-10:15am, Hamilton Library 401

  • Title: “Mobilizing Against Borders: Alliances and Responsibilities”

Thursday April 7th

8:45am-9:00am – Welcome Remarks by Monica Ghosh, Hamilton Library 401

9:00am-10:15am – Keynote: Jason Cons, Hamilton Library 401

  • Introduction: Reece Jones, Associate Professor, UH Geography Department

10:30am-12:15pm – Panel: Negotiating Borderland Identity and Belonging, Hamilton Library 401

  • Chair: Ned Bertz, Associate Professor, UH History Department
  • Participants:

    • Md Azmeary Ferdoush, UH PhD Student, Geography
    • Title: Swapping Territories: Choosing Citizenship, Sovereignty and Belonging in the former Bangladesh- India Border Enclaves
    • Dharitri Narzary Chakravartty, Assistant Professor in History, School of Liberal Studies, Ambedkar University Delhi
    • Title: Notion of marginality and identity in the borderlands of lower Assam
    • M. Azizul Islam Rasel, Lecturer at the University of Liberal Arts, Bangladesh
    • Title: Lushei People if the Borderland of Bangladesh and the Creation of Transnational Space
    • Nandita Sharma, Associate Professor, UH Sociology Department
    • Title: Postcolonial Partitions: The Social Production of “South Asians as “Settler Colonists” in “Decolonized” Myanmar (Burma)
    • Ananya Chakraborty, Research Scholar at the TISS (Tata Institute of Social Sciences) in Mumbai (via skype)
    • Title: Renegotiating Boundaries: Exploring Lives of Undocumented Bangladeshi Women Workers in Maharashtra

1:30pm-2:45pm – Keynote: Vazira Zamindar, Hamilton Library 401

  • Introduction: Anna Stirr, Assistant Professor, UH Asian Studies Department

3:00pm-4:30pm – Panel: “The Impossibilities of Authenticity: Translating Practices of Bordering and Migration”, Hamilton Library 401

  • Chair: Sankaran Krishna, Professor, UH Political Science Department
  • Participants:
    • Sarah Jamal, PhD Candidate, Aberystwyth University, International Politics
    • Title: “White Stones, Grey Stones, Black Stones:  A South Asian in a Holy Land”
    • Akta Kaushal, PhD Student, Political Science, University Hawai’i at Mānoa
    • Title: Decolonial Intimacies: Exploring Indigenous and Diasporic Struggles & Alliances
    • Riddhi Shah, PhD Student, Political Science Program, University of Hawai’i at Mānoa
    • Title: “Disordering History: Temporality and Public Sphere in Gunvantrai Acharya’s Dariyalal”
    • Tana Trivedi, Lecturer, Ahmedabad University
    • Title: Sudesh Mishra’s ‘Un-homely’ poetry: The case of Indians in Fiji [skype participant]
    • Daniel Majchrowicz, Assistant Professor of South Asian Literature and Culture, Northwestern University
    • Title: ‘A Spring Autumn of Leaves’: Urdu Travel Writing across the India-Pakistan border
  • Discussant: Rajiv Mohabir, PhD Student, University of Hawai’i at Mānoa

5:30pm-7:00pm – Reception & Open-Mic (‘Vessels in Motion’), Hamilton Library 401

7:00pm-8:00pm – Kazim Ali Keynote & Dai Ho Chun Series Lecture, Hamilton Library 401

Friday April 8th

9-10:15am – Keynote: Harsha Walia, Hamilton Library 401

  • Introduction: Jesse Knutson, Professor, UH Indo-Pacific Languages & Literatures Department

1030-12:15pm – Panel: “Mobility and Migration in and beyond South Asia”, Hamilton Library 401

  • Chair: Jussi Laine, Executive Secretary and Treasurer, Association of Borderlands Studies, Researcher, University of Eastern Finland
  • Participants:
    • Mirza Zulfiqur Rahman, PhD Candidate, Social Sciences & Humanities,  IIT Guwahati
    • Title: Prospects of Pilgrimage Tourism Development across Eastern Himalayan borders: Local aspirations and perceptions to such development
    • James (Jimmy) Weir
    • Title: A Young Afghan’s Journey to Germany and  A Family’s History of Escaping Conflict
    • Andrea Wright, Visiting Scholar, Institute for South Asia Studies, UC Berkeley
    • Title: Contesting Borders with Localized Networks: Indians’ Strategies for Migration to the Persian Gulf
    • Marta Zorko (Asst. Prof. University of Zagreb, Croatia in Political Science) & Marijan Crnjak (Course Asst., University of Zagreb, Croatia in Political Science)
    • Title: Hardening of regional borders and changes in mobility from SA to EU

Other Events Happening at UH

Monday, April 4th, 2016:

Book Launch for Rajiv Mohabir’s The Taxidermist’s Cut

  • in Kuykendall 409 from 3-4:30pm

Friday April 8th, 2016:

University-wide lecture by Angela Y. Davis: “Freedom is a Constant Struggle”

  • at 7pm in the UH Mānoa’s Kennedy Theatre

This is an equal opportunity/affirmative action institution.


Feb 23, 2016
JNU Statement of Solidarity
 STATEMENT OF SOLIDARITY FROM FACULTY AND GRADUATE STUDENTS AT THE UNIVERSITY OF HAWAI‘I, MĀNOA AGAINST POLICE ACTION ON JNU CAMPUS, NEW DELHI

To: Prof. M. Jagadesh Kumar
Vice Chancellor
Jawaharlal Nehru University
New Delhi-110 067, India

We—the faculty and students at the University of Hawai‘i at Mānoa whose work and teaching focus on India and South Asia—write to condemn the brutal assault on free speech taking place at Indian universities, most recently and visibly at Jawaharlal Nehru University (JNU), Delhi, and in the society at large, as well as to express our solidarity with the students and teachers at JNU as well as others who are standing up to authoritarianism. The government of India has for some time used colonial-era black laws—such as charges of sedition—as well as punitive detention and other similar measures to stifle dissent and induce fear. What could be more anti-national than an extremely vague definition of the ‘anti-national’ subject to any and all whims of the current regime? The government gives itself license to imprison people purely on the basis of thoughts and opinions, as witnessed by the recent arrests of Kanhaiya Kumar and Sar Geelani, the hounding of Umar Khalid, etc.. These highhanded and anti-democratic tactics are those of an exploitative, occupying power, and they were frequently employed by the British colonial state. There is therefore nothing patriotic or ‘national’ about the attempt to police thought and opinion. It is a severe insult to the martyrs of the freedom struggle and to all those who have struggled against oppression in India’s history.

In protest and solidarity,

Jesse Ross Knutson, Assistant Professor, Department of Indo-Pacific Languages & Literatures

Monica Ghosh, South Asia Studies Librarian, Interim Director, Center for South Asian Studies

Monisha Das Gupta, Associate Professor, Ethnic Studies and Women’s Studies

Subramanian Shankar, Professor, Department of English, Director of Creative Writing

Sankaran Krishna, Professor, Department of Political Science

Ned Bertz, Associate Professor, Department of History

Miriam Sharma, Professor, Asian Studies

Sai Bhatawadekar, Associate Professor, Department of Indo-Pacific Languages & Literatures

Anna Stirr, Assistant Professor, Asian Studies

Arindam Chakrabarti, Professor, Department of Philosophy

Vrinda Dalmiya, Professor and Undergraduate Chair, Department of Philosophy

Priyam Das, Assistant Professor, Department of Urban and Regional Planning

Ashok Das, Assistant Professor, Department of Urban and Regional Planning

Akta Kaushal, PhD Student, Department of Political Science

Rajiv Mohabir, PhD student, Department of English

Richard Forster, Graduate Student, History Department,

Sarah Jamal, PhD Candidate, (visiting from Aberystwyth University)

Tamara Luthy, PhD Student, Departments of Botany and Anthropology

Irmak Yazici, PhD Student, Department of Political Science

Anjoli Roy, PhD Student, Department of English

Lisa Widdison, Graduate Assistant/Instructor, Department of Philosophy

Riddhi Shah, PhD Student, Department of Political Science


Jan 21, 2016
Congrats to CSAS Faculty Dr. Anna Stirr, who will receive the Ali Miya Prize from the Ali Miya Lok Wangmaya Pratisthan (Ali Miya Folk Literature Academy) in Nepal

imageAnna Stirr will receive the Ali Miya Prize from the Ali Miya Lok Wangmaya Pratisthan (Ali Miya Folk Literature Academy) in Nepal, in honor of her research about and performance of Nepali folk music and poetry. The award ceremony will take place on February 27, 2016 in Pokhara, Nepal. Ali Miya, in whose honor the prize is given, was one of Nepal’s foremost folk poets of the twentieth century, and his poems and songs continue to inspire. The prize is given yearly to individuals whose work is notable in the area of folklore, including poets, musicians, and others. Among the previous recipients include folk singers Prem Raja Mahat and Hari Devi Koirala.”


Dec 16, 2015
Bollywood Film Festival / The Apu Trilogy – Jan 2-Feb 6, 2016

Bollywood Film Festival

The Apu Trilogy

Jan 2–Feb 5, 2016

As our Bollywood Film Festival enters its ninth year, the museum expands programming beyond the popular musical extravaganzas with a whole month of Indian cinema—from Bollywood and Kollywood (Tamil-language) megahits to master filmmaker Satyajit Ray’s meticulously reconstructed new restoration of his cinematic landmark The Apu Trilogy.

Sponsored by Indru and Gulab Watumull & the J. Watumull Fund.

Special thanks to the Bollywood Film Festival Committee—Sai Bhatawadekar, Maya Cowell, Alan Eyerly and Lachmin Singh.

Opening-night reception Jan 2, 6-7:30pm: Start 2016 in style with a spicy Bollywood soundtrack from DJ Mr. Nick, performance by dance troupe Aaja Nachle, henna tattoos by HennaLove Hawaii and food from India Café! Wine, beer, and soda available for purchase. Bajrangi Bhaijaan screens at 7:30pm.

Opening-night reception + film: $35 | $30 museum members
Opening-night film only: $15 | $12 museum members

    • Featurebox_bollywood_bajrangi

      Bajrangi Bhaijaan
       Jan 2

      Featurebox_bollywood_okkanmani

      Ok Kanmani

      Jan 3, 8, 13 + 27

    • Featurebox_bollywood_margaritastraw

      Margarita, with a Straw

      Jan 3, 10, 22 + Feb 4

    • Featurebox_bollywood_dhanak

      Dhanak • Rainbow

      Jan 3, 16 + 28

    • Featurebox_bollywood_court

      Court

      Jan 5, 14, 21, 29 + Feb 4

    • Featurebox_bollywood_waiting

      Waiting

      Jan 5, 9, 26 + Feb 5Featurebox_bollywood_meetthepatels

      Meet the Patels

      Jan 6, 12, 15, 19 + 28

      Featurebox_bollywood_nachomkumpasar

      Nachom-ia Kumpasar • Let’s Dance to the Rhythm

      Jan 6, 16 + Feb 2

      Featurebox_bollywood_elizabethekadashi

      Elizabeth Ekadashi

      Jan 7, 13, 17 + 21

    • Featurebox_bollywood_enithran

      Enthiran • Robot

      Jan 7 + 26

    • Featurebox_bollywood_premratan

      Prem Ratan Dhan Payo

      Jan 8, 31 + Feb 5

      Featurebox_bollywood_baijraomastani

      Bajirao Mastani

      Jan 9 + 22

      Featurebox_bollywood_dildhadakne

      Dil Dhadakne Do

      Jan 15

    • Featurebox_bollywood_missindiaamerica

      Miss India America

      Jan 16

      Featurebox_apu_patherpachali

      The Apu Trilogy: Pather Panchali • Song of the Little Road

      Jan 17 + 24

    • Featurebox_apua_aparajito

      The Apu Trilogy: Aparajito • The Unvanquished

      Jan 17 + 24

    • Featurebox_apu_apuransar

      The Apu Trilogy: Apur Sansar • The World of Apu

      Jan 19 + 24


Nov 12, 2015
South Asia Related Films at the 2015 HIFF (Honolulu International Film Festival)

35th Hawai’i International Film Festival

Baahubali — The Beginning

baahubali_the_beginningTwo brothers clash for the control of a kingdom. The story has been told many times before — a child is born destined for greatness and, as a man, vanquishes the forces of evil — but in the confident hands of accomplished South Indian director S.S. Rajamouli, the tale gets potent new life in BAAHUBALI: THE BEGINNING.

Raised in a remote tribal village, Shivudu grows up a carefree young man who relentlessly pursues his heart’s desire. This leads him on an adventure to a completely unfamiliar territory. On this journey, he falls in love with Avantika, a Nishada soldier. To win her over, Shivudu takes on the dangerous mission of rescuing Devasena from the tyrant King Bhallaladeva. Shivudu manages to free Devasena, and during their escape, uncovers the truth behind his mysterious past.

With epic battles, swords, sandals, horses and elephants, the film is reminiscent of the big epics, both old and new (think SPARTACUS meets THE LORD OF THE RINGS). No penny is spared in the production design, incredible in its sheer grand scale. And yes, the subtitle, “THE BEGINNING” does mean that this is indeed a part 1 of a planned trilogy.

The Festival will be screening the newly released “international version.” which provides more backstory and more action. Sit back and be thrilled by India’s biggest film ever, and be transported to a world of titanic battles and sweeping romance among the world of kings.
— Anderson Le

Click here for more info…

Screenings

Sunday, November 15, 5:45 PM — Regal Dole Cannery

Bajrangi Bhaijaan

abcw-bajrangi1A little mute girl from a Pakistan village gets lost on her return back from a trip to India. In Kurukshetra, she meets Pawan (superstar Salman Khan, monstrously buff as ever) – a devout Hanuman Bakth – who is in the midst of a challenge posed by his lover’s father. In trying to discover her parents, he develops an unshakable bond with the young girl. He tries to get into Pakistan through a path righteous to his conscience and later, with a smart Pakistani news reporter (the luminous Kareena Kapoor) who takes a liking to this “story”, captures the imagination of the public in both countries.

BAJRANGI BHAIJAAN is a fun and heartwarming road film that has enchanted Indian audiences since its release this summer. Salman Khan flexes his charisma, developing a sweet bond with the precocious Harshaali Malhotra (as the young Pakistani girl). Coupled with strong performances from Bollywood vets Kareena Kapoor and Om Puri, it is no wonder this film has become the biggest Bollywood hit of the year.

Click here for more info…

Screenings

Saturday, November 21, 5:15 PM  — Regal Dole Cannery

Miss India America

MissIndia_4_1000x316Lily Prasad (Tiya Sircar) wants to win at all costs. She’s a high school valedictorian who arrogantly rubs her triumphs in the face of, well, everyone. But she soon loses her boyfriend, Karim (Kunal Sharma), to the reigning Miss India National Reshma (Sameera Eligeti), pulling a key block out of her Jenga-like tower of ambition. She vows victory and schemes to retake Karim by winning the Indian American beauty pageant with the help of her friend Seema (Kosha Patel). How will she get past the gorgeous and talented Sonia Nielson (NEW GIRL’s Hannah Simone)? Lily is ugly in ego, like Frank Underwood in a dress — she’ll find a way. As women crack glass ceilings around the world, this film shows us girl-power gone hilariously bad. Hope comes the form of friendship and family. Lily rises and falls, and comes out a better person on the other side.

Ravi Kapoor’s debut feature showcases great acting by an almost entirely female cast. Strong writing and direction complete this film as a fun, campy romp of megalomania and redemption.
— Ravi Chandra

Click here for more info…

Screenings

Saturday, November 21, 2:30 PM — Regal Dole Cannery
Sunday, November 22, 12:45 PM — Regal Dole Cannery

Court

court_23915INDIA’S OFFICIAL SELECTION FOR THE 2015 ACADEMY AWARDS
WINNER OF 29 INTERNATIONAL AWARDS

Winner of top prizes at the Venice and Mumbai film festivals, Chaitanya Tamhane’s COURT is a quietly devastating, absurdist portrait of injustice, caste prejudice, and venal politics in contemporary India. An elderly folk singer and grassroots organizer, dubbed the “people’s poet,” is arrested on a trumped-up charge of inciting a sewage worker to commit suicide. His trial is a ridiculous and harrowing display of institutional incompetence, with endless procedural delays, coached witnesses for the prosecution, and obsessive privileging of arcane colonial law over reason and mercy. What truly distinguishes COURT, however, is Tamhane’s brilliant ensemble cast of professional and nonprofessional actors; his affecting mixture of comedy and tragedy; and his naturalist approach to his characters and to Indian society as a whole, rich with complexity and contradiction. —New Directors/New Films

Click here for more info…

Screenings

Sunday, November 15, 12:00 PM — Regal Dole Cannery
Sunday, November 22, 6:00 PM — Regal Dole Cannery

Margarita With A Straw

Margarita,_with_a_Straw_-_posterLaila (Bollywood actress Kalki Koechlin) is like all overachieving students — constantly busy with extracurricular activities and passion projects. Aside from being an aspiring writer, she is also crafting lyrics and electronic beats for an indie band at her Delhi university. Her cerebral palsy doesn’t much get in the way of her life – although it sometimes does for others, especially when her feelings for a boy goes unreciprocated. Although she has a loving family and a strong support group of friends, Laila feels the itch to leave the nest and see the world. She applies for a scholarship and is accepted into a university in New York City. Laila loves her new life; on the first day of her creative writing course, she is paired with a cute guy who catches her eye. But the real game changer in Laila’s life is when she meets a fiery activist, Khanum (Sayani Gupta), who challenges her beliefs, sparks her creativity, and, eventually, seduces her. For these two women, their meeting marks the beginning of a remarkable love story that will be tested when they must return to India because of a family emergency.

Click here for more info…

Screenings

Monday, November 16, 8:15 PM — Regal Dole Cannery
Wednesday, November 18, 7:45 PM — Regal Dole Cannery

DHEEPAN (DHEEPAN – L’HOMME QUI N’AIMAIT PLUS LA GUERRE)

25388_Dheepan-PosterIn Sri Lanka, the Civil War is reaching its end, and defeat is near. Dheepan decides to flee, taking with him two strangers – a woman named Yalini and Illayaal, a little girl – hoping that they will make it easier for him to claim asylum in Europe if they pose as a family. Arriving in Paris, the ‘family’ moves from one temporary home to another until Dheepan finds work as the caretaker of a tenement block in the suburbs.

He works to build a new life and a real home for his ‘wife’ and his ‘daughter’, and for a time, they are thriving and growing as a family – Illayaal is quickly assimilating to school and Yalini takes a job as a caretaker to a terminally ill man and his nephew, who live in the same complex. Dheepan works his daily routine and keeps his head down, when he notices that the tenement block is ground central for gang and drug activity for young hooligans who are also residents. Soon, the daily violence he confronts quickly reopens his war wounds, and Dheepan is forced to reconnect with his warrior’s instincts to protect the people he hopes will become his true family.

Winner of the Palme d’Or at this year’s Cannes Film Festival, DHEEPAN led the march of similarly themed European films that explore immigration themes in a European context. Director Jacques Audiard (THE BEAT THAT MY HEART SKIPPED – HIFF 2005, A PROPHET, RUST AND BONE – HIFF 2012) explores immigration through the lens of a refugee from a war-torn nation who continues to be haunted by war. From Tamil Tigers, to Arab prisoners and thuggish hoodlums, director Audiard has a knack of exploring characters who attempt to escape from their own personal hells. DHEEPAN is an extension of this theme, and one that is telling of the current climate of immigration strife in Europe.
— Anderson Le

Click here for more info…

Screenings

Friday, November 13, 6:30 PM — Regal Dole Cannery
Saturday, November 14, 2:00 PM — Regal Dole Cannery

JAFAR PANAHI’S TAXI

120582Taxi passengers express their views and opinions as award winning filmmaker Jafar Panahi (currently under house arrest, since 2010, and charged for conspiring to create anti-Islamic propaganda) drives through the streets of Tehran, Iran, picking up passengers along the way who serve as conduits for a provocative discussion of Iranian social mores and the art of cinematic storytelling.

Panahi establishes the ground rules early on, when three disparate passengers enter his taxi in rapid succession: a loud-mouthed know-it-all who takes quick note of the small camera mounted on Panahi’s dashboard; a mild-mannered female schoolteacher who gets into a feisty row with the first man over the morality of capital punishment and Sharia law; and a flop-sweating DVD bootlegger (a nod to the only way “Taxi” will ever be seen in its home country), who recognizes Panahi and, after the other two passengers alight, asks the director if they were in fact actors playing out a scripted scene.

Thus the stage is set for a series of deft seriocomic episodes that bring Panahi (who exudes a warm, almost Chaplin-esque presence) into contact with a diverse cross-section of Tehran society, all captured from the fixed p.o.v. of the taxi’s dash-cam. Time and again, the car becomes a kind of impromptu film studio. Reminiscent of HBO’s TAXICAB CONFESSIONS, Jim Jarmusch’s NIGHT ON EARTH and Panahi’s own mentor, Abbas Kiarostami’s TEN. Although Panahi and his passengers are confined in a car for a brisk 82 minutes, TAXI makes many more stops around the world, before returning to the garage.

TAXI premiered in competition at the Berlin Film Festival, where it won the Golden Bear, the grand prize for best film. Click here for more info…

Screenings

Saturday, November 14, 4:30 PM — Regal Dole Cannery

Sunday, November 15, 11:00 AM — Regal Dole Cannery


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