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"IN THE BEGINNING...": A STUDY OF CREATION MYTHOLOGY

(A collaborative, integrated lesson taught by the classroom teacher and the librarian)

Siri Anderson, Librarian

Zennie Sawyer, 6th grade teacher

Adaptable for Grades 4-6

 

Stage 1 - Desired Results

Content Standards:

SOCIAL STUDIES

Geography

1.  World in Spatial Terms:  Students use geographic representation to organize, analyze, and present information on people, places, and environments.

(6-8) Interpret and construct geographic representations to explain human and physical distributions and patterns.

The students will:

  1. Construct a map that includes collected geographic data.

  2. Explain the meanings, patterns, and relationships found in geographic data.

Cultural Anthropology

1.  Cultural Systems:  Students understand culture as a system of beliefs, knowledge, and practices shared by a group.

(4-5)  Explain how language, stories, music, dance, artifacts, traditions, beliefs, values, and behaviors are elements of culture and contribute to preservation of cultures.

The students will:

  1. Identify values and beliefs of ancient cultures through their myths.

  2. Develop an appreciation for differences and similarities among world cultures.

  3. Explain how myths are reflective of cultures.

  4. Theorize about common elements and differences in the myths of diverse cultures.

LANGUAGE ARTS

Reading

6.  Diversity:  Interact thoughtfully  with texts that represent diversity in language, perspective, and/or culture.

(4-5) Interact thoughtfully with each other about texts that represent diverse perspectives.

(6-8) Identify cultural values and multiple perspectives in texts. 

The students will:

  1. Recognize and appreciate the diversity found in comparative mythology.

  2. Understand that myths perpetuate cultural values.

Writing

6.  Diversity:  Understand diversity in language, perspective and culture in order to craft texts that represent diverse thinking and expression.

(6-8)  Write from perspective of culture that go beyond the visible markers of difference -- speech, dress, food, customs, -- to deeper analysis of similarities and differences.

The students will:

  1. Create an original myth that is reflective of a distinct culture and is consistent with its environment.

 

Understandings:  Students will understand that...

 

Essential Questions:

 

Students will know...

 

Students will be able to:


Stage 2 -- Assessment Evidence

Performance Task:

 

Other Evidence:

 

Self Assessment:


Stage 3 -- Learning Plan

Pre-requisite knowledge:

Difference between myths, folktales, and legends -- all are part of the folklore genre and are part of the era where knowledge, history, and stories were originally orally communicated.

Elements in common: unknown authors, orally -- by word of mouth, traditional (generation to generation), heroes or heroines.

Differences:

Myths: 

Folktale:

Legend:

Geographic understandings -- latitude & longitude, hemispheres, regions of the world, 5 geography themes, and climate zones.

Cultural understandings -- every culture has common characteristics.  The World Cultures Model categorizes those elements into: (see appendix)

 

Background:

Prehistoric (before a written language) peoples attempted to explain how the world began or the origin of different phenomenon in nature through stories called myths.  Myths from around the world reflect the culture of its people -- their values, beliefs, and traditions.  In the folkloric tradition, myths were handed down from generation to generation by word-of-mouth.  Myths from around the world explain creation often using the same or similar elements in their stories.  At the same time, myths from around the world often explain the same phenomenon in nature differently.  Why are there similarities?  Why are there differences?  What can myths teach us about the culture it represents?

Begin with the familiar -- "The Kumulipo ("Beginning-in-deep-darkness") is the sacred creation chant of a family of Hawaiian alii, or ruling chiefs. Its two thousand lines provide an extended genealogy proving the family's divine origin and tracing the family history from the beginning of the world."  (Beckwith, The Kumulipo)

 

Purpose: In this lesson students will:

 

Materials & Resources Needed:

 

Learning Activities:

Introduction: (in library)

1.  Kumulipo lesson to familiarize with a Hawaiian creation myth:

  1. Read aloud In the Night. Still Dark.  Discuss and interpret with students

  2. Choral reading of "Birth of Sea and Land Life".  Students select verses to interpret and illustrate.

  3. Students research flora and fauna referred to in Kumulipo.

  4. Illustrate verses using crayon resist technique.

  5. Students share their artistic representation and verses.

  6. Create mural.

(in class/library)

1.  Have students skim and scan through creation myth resources.  Each student chooses one to retell in written form.  Students plot the location of their myth on a classroom world map and do geographic research on the country.  Students also plot the location of their myth on a small scale world map to be included later alongside their written retell.

2.  Graphic symbols and representations of myths will be created on an ongoing basis to be placed later on a classroom map.  Upon completion of myth retell, students create an illustration representing the myth using the crayon resist art form.

3.  Students share myths and illustrations with the class.  Geographic locations are identified on the world map and symbols are placed on the map.

4.  Break into 2 smaller groups (with resource teachers).  Discuss and fill out Creation Myth on chart paper.  Students also record information on their own individual matrix.

5.  In pairs, students identify commonalities by using color coded circling on their individual matrix.  Using graphic organizer (Comparison Matrix), similarities and differences in myths will be identified.  Observations will be made about geographical distributions and patterns on maps.  Students will create generalizations about recurrent themes (values, beliefs, traditions) and theorize about movement of stories and peoples.

6.  As whole group, share and justify theories and generalizations.

7.  Compile myths and illustrations into class book.

 

Extensions:

1.  Have students do creative dramatization of Kumulipo and/or creation myths.

2.  Create an in-depth story map of myths.

3.  Have students develop storytelling expression and techniques to share myths with other classes (lower grades).

4.  Create a geographical game (Jeopardy, GeoMyth Bee, etc.) based on myths.

5.  Dress in character and maintain identity at student-created culminating function.

6.  Students pick a known natural landmark (locally, nationally, worldwide) and explain mythologically how it came to be.

7.  Continue literary study on other myths from your country.

8.  Create a web using yarn, visually connecting common themes, symbols, characters, etc. on classroom map.

9.  Take a myth and find counterparts from other cultures.

10. Look for examples of how artists have used myths for their subject matter.

11. Plan a film script based on a personal encounter with a mythological god.

12. Limericks are short five line poems with a specific meter and rhyme schemes.  Compose some myth limericks based on your reading.

13.  Draw a topographic map for a mythological culture.  Explain what type of myth one would expect to find in that region.

 

Appendix:

Kumulipo - "Birth of Sea and Life"

Sample Myths

World Cultures Model

Creation Myth Matrix

Comparison Matrix

Original Myth Self-Assessment

Original Myth Rubric

 

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