Korean History: A Bibliography
Compiled by Kenneth R. Robinson
Maintained by The Center for Korean Studies, University of Hawai`i


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Arts: Painting

Adams, Edward B. "Korean Murals at Muwi-sa." Orientations 15:3 (March 1984): 36-41.

Ahn, Hwi-joon. "An Kyon and A Dream Visit to the Peach Blossom Land." Oriental Art 26:1 (Spring 1980): 60-71.

Ahn, Hwi-joon. "Korean Painting from the Three Kingdoms to Koryo." Korean Culture 1:2 (Spring 1980): 4-9.

Ahn, Hwi-joon. "Painting of the Yi Period." Korean Culture 1:3 (Summer 1980): 34-39.

Ahn, Hwi-joon. "Chinese Influence on Korean Landscape Painting of the Yi Dynasty (1392-1910)." In International Symposium on the Conservation and Restoration of Cultural Property: Interregional Influences in East Asian Art History. Tokyo: Tokyo National Research Institute of Cultural Properties, 1982.

Ahn, Hwi-joon. "A History of Painting in Korea." Arts of Asia 12:2 (April 1982): 138-149.

Ahn, Hwi-joon. "Two Korean Landscape Paintings of the First Half of the 16th Century." In Traditional Korean Painting. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Ahn, Hwi-joon. "History of Korean Art: A Review of Studies." In Introduction to Korean Studies. Seoul: The National Academy of Sciences, 1986.

Ahn, Hwi-joon. "Painting." In Roderick Whitfield and Pak Young-sook, eds. Korean Art Treasures. Seoul: Yekyong Publications Co., Ltd., 1986.

Ahn, Hwi-joon. "Korean Landscape Painting of the Early and Middle Choson Period." Korea Journal 27:3 (March 1987): 4-17.

Ahn, Hwi-joon. "Literary Gatherings and their Paintings in Korea." Seoul Journal of Korean Studies 8 (1995): 85-106.

Ahn, Hwi-Joon. "Korean Influence on Japanese Ink Paintings of the Muromachi Period." Korea Journal 37:4 (Winter 1997): 195-220.

Ariga, Yoshitaka. “Korean Elements in Japanese Pictorial Representation in the Early Asuka Period.” In Washizuka Hiromitsu, Park Youngbok, and Kang Woo-bang, eds. Transmitting the Forms of Divinity: Early Buddhist Art from Korea and Japan. New York: Japan Society, 2003.

Black, Kay E. "Religious Aspects of Folk Painting." Korean Culture 2:2 (June 1981): 2-9.

Black, Kay E. "The Puzzling Portrait." Orientations 25:4 (April 1994): 68-70.

Black, Kay E. and Edward W. Wagner. "Ch'aekkori Paintings: A Korean Jigsaw Puzzle." Archives of Asian Art 46 (1993): 63-75.

Brueckner, Allison. "Korean Landscape Painting: Foreign Influence, Yet In Independent Style." Korean Culture 7:2 (June 1986): 34-45.

Capon, Edmund. "A Koryo Painting of Samantabhadra." Oriental Art 25:1 (Spring 1979): 74-80.

Chang, Bal. "Yi Paintings: Academicians Vs. Gentlemen Painters." Korea Journal 4:3 (March 1964): 4-12.

Chang, Suk Choo. "The Self in the Folk Paintings of Yi Korea and Colonial New England." The Journal of Modern Korean Studies 3 (December 1987): 42-59.

Chee, Soon-im. "Consciousness of Formative Arts in Landscape Painting of the Late Choson Period." In Sang-Oak Lee and Duk-Soo Park, eds. Perspectives on Korea. Sydney: Wild Peony, 1998.

Cho, Cha-yong. Guardians of Happiness: Shamanistic Tradition in Korean Folk Painting. Seoul: Royal Asiatic Society, Korea Branch, 1982.

Cho, Cha-yong. Traditional Korean Painting: A Lost Art Rediscovered. Tokyo: Kodansha International, 1990.

Cho, Hung-youn. "Materials for the History of Korean Mounting: Yongjong-mosa-togam-uigwe." Korea Journal 29:5 (May 1989): 19-31.

Cho, Insoo. “Transmitting the Spirit: Korean Portraits of the Late Choson Period.” In Embracing the Other: The Interaction of Korean and Foreign Cultures: Proceedings of the 1st World Congress of Korean Studies, I. Songnam, Republic of Korea: The Academy of Korean Studies, 2002.

Choi, Sun-u. "Painting of the Yi Period." Korea Journal 17:4 (April 1977): 30-32.

Choi, Sun-u. "Korean Painting." Korea Journal 19:4 (April 1979): 11-16.

Choi, Sun-u. "Altering the Landscape of Korea." Korean Culture 2:3 (November 1981): 2-9.

Choi, Sun-u. "Korean Painting." In Traditional Korean Painting. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Choi, Sun-u. "From the Exhibition of 500 Years of Yi Dynasty Painting." In Traditional Korean Painting. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Chong, Pyong-mo. "Korean Folk Painting and Chinese Nianhua: A Comparison of the Formative Processes." Korea Journal 40:4 (Winter 2000): 113-166.

Chung, Hyung-min. “Court Paintings During the Taehan Empire (1897-1910): Conflict Between Identity and Modernization.” (Soul taehakkyo misul taehak chohyong yonguso) Chohyong 23:1 (2000:12): 21-32.

Chung, Saehyang P. "Kim Hong-do's Village School: Conjectures on Some Possible Artistic Antecedents." Orientations 27:9 (September 1996): 83-88.

Chung, Saehyang P. "Kim Hong-do's 'Peddlers' and Its Possible Artistic Antecedents." Oriental Art 44:3 (Autumn 1998): 40-49.

Chung, Saehyang P. "Sin Yunbok's Amorous Themes and Their Possible Relationship to 17th-Century Chinese Christian Engravings." Oriental Art 46:4 (Winter 2000): 31-42.

Chung, Saehyang P. “Sin Yunbok’s Women on Tano Day and the Iconography of Common Women Washing Clothes by a Stream.” Oriental Art 47:5 (2001) 55-70.

Chung, Saehyang P. “Portrayals of Human Emotion in Late Choson-dynasty Genre Painting and Their Possible Visual Precedents.” Acta Koreana 6:1 (January 2003): 35-62.

Chung, Saehyang P. “Gim Deuk-sin’s Chasing a Cat: A New Analysis of Its Animation and Humour.” Oriental Art 49:1 (2003): 22-35.

Covell, Alan Carter. "Shamanist Folk Paintings: Korea's Eternal Spirits." Asian and Pacific Quarterly of Cultural and Social Affairs 15:2 (Summer 1983): 10-28.

Covell, Alan Carter. Shamanist Folk Paintings: Korea's Eternal Spirits. Elizabeth, NJ: Hollym International Corporation, 1984.

Covell, Jon Carter. "Korea's 'Unknown Legacy' from the Koryo Period." Korea Journal 18:12 (December 1978): 4-13.

Covell, Jon Carter. "A 'Vendetta' over a Koryo-Period 'Willow Kuanyin.'" Korea Journal 19:1 (January 1979): 36-45.

Covell, Jon Carter. "Tracing the Yangyu Kwanseum in Painting." In Che-1 hoe Hangukhak kukche haksul hoeui nonmunjip: Papers of the 1st International Conference on Korean Studies. Songnam: Hanguk chongshin munhwa yonguwon, 1980.

Cunningham, Michael R. "Notes on Koryo and Kamakura Paintings." In Kokusai koryu bijutsushi kenkyukai, ed. Bukkyo bijutsushi kenkyu ni okeru 'Tosho to yoshiki'. Kobe: Kokusai koryu bijutsushi kenkyukai, 1996.

Dean, Robert J., Jr. “Class Confirmation and Factional Dissent: The Nature of the ‘Protest’ in Eighteenth Century Genre Painting.” (Kyongin yoja chonmun taehak) Kyongin nonjip 3 (1994:12): 311-322.

Editorial Staff of Picture-Albums, The Bureau for Direction of Cultural Preservation, The Democratic People's Republic of Korea. Mural Paintings of Koguryo. Pyongyang: Korean Central Historical Museum, 1979.

Gothel, Ingeborg. "The Kumgang Mountains: Their Landscape, Monasteries, and Reflections in Art." Korean Culture 11:4 (Winter 1990): 10-17.

Haboush, JaHyun Kim. "Public and Private in the Court Art of Eighteenth-Century Korea." Korean Culture 14:2 (Summer 1993): 14-21.

Haboush, JaHyun Kim. "Dreamland: Korean Dreamscapes as an Alternative Confucian Space," In Helwig Schmidt-Glantzer ed., Das Andere China. Wiesbaden, Germany: Harrassowitz, 1995.

Han, Junghee. "The Origin of Wind and Thunder God Iconography and Its Representation in Korean Painting." Korea Journal 40:4 (Winter 2000): 68-112.

Hong, Son-p'yo. "Korean Painting of the Late Choson Period in Relation to Japanese Literati Painting." Korea Journal 20:5 (May 1980): 17-24.

Hong, Son-p'yo. "Korean Painting of the Late Choson Period in Relation to Japanese Literati Painting." In Traditional Korean Painting. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Hong, Sun-pyo. "Activities of the Painters Accompanying the Late Choson Envoys to Japan." Korea Journal 40:4 (Winter 2000): 5-23.

Hong, Yoon-sik. "The Painting, 'Visualization of the Hwaom Pure Land' Identified as a Koryo Buddhist Painting." Korea Journal 37:1 (Spring 1997): 53-67.

Hoffmann, Frank. "Yi Chung-sop's Life and Art." Korean Culture 9:4 (Winter 1988): 23-32.

Ide, Seinosuke. “Painting.” In Kumja Paik Kim, ed. Goryeo Dynasty: Korea’s Age of Enlightenment, 918 to 1392. San Francisco: Asian Art Museum, 2003.

Jungmann, Burglind. "An Album of Figure and Landscape Paintings Attributed to Yi Kyong-yun (1546-1611)." In Sambul Kim Wol-lyong kyosu chongnyon t'oeim kinyom nonch'ong kanhaeng wiwonhoe, ed. Sambul Kim Wol-lyong kyosu chongnyon t'oeim kinyom nonch'ong II: Misul sahak - yoksahak - illyu-minsok p'yon. Seoul: Ilchisa, 1987.

Jungmann, Burglind. "Immortals and Eccentrics in Choson Dynasty Painting." Korean Culture 11:2 (Summer 1990): 22-31.

Jungmann, Burglind. "Confusing Traditions: Elements of the Korean An Kyon School in Early Japanese Nanga Landscape Painting." Artibus Asiae 55:3-4 (1995): 303-318.

Jungmann, Burglind. "Ike Taiga's Letter to Kim Yusong and His Approach to Korean Landscape Painting." The Review of Korean Studies 1 (September 1998): 180-195.

Jungmann, Burglind. Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga. Princeton, NJ: Princeton University Press, 2004.

Kang, Woo-bang. “A New Theory: Ki as Represented in Koguryo Murals and Buddhist Haloes of the Three Kingdoms Period.” In Washizuka Hiromitsu, Park Youngbok, and Kang Woo-bang, eds. Transmitting the Forms of Divinity: Early Buddhist Art from Korea and Japan. New York: Japan Society, 2003.

Kim, Bong-tae. "Capturing the Lifestyle of His Times." Korean Culture 1:2 (Spring 1980): 10-11.

Kim, Bong-tae. "Leisure in Painting." Korean Culture 1:3 (Summer 1980): 40-41.

Kim, Cheong-gang. "A Brief History of Korean Art and Painting." In Suh Cheong-Soo and Pak Chun-kun, eds. Aspects of Korean Culture. Seoul: Soodo Women's Teachers College Press, 1974.

Kim, Ch'ol-sun. "A Study of Traditional Korean Painting." Korea Journal 19:1 (January 1979): 4-11.

Kim, Ch'ol-sun. "Beauty and Characteristics of Korean Prints." Korea Journal 21:1 (January 1981): 15-26.

Kim, Ch'ol-sun. "Beauty and Characteristics of Korean Prints." In Traditional Korean Painting. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Kim, Ho-yon. "Analytic Classification of Korean Folk Painting." Korea Journal 19:1 (January 1979): 12-20.

Kim, Ho-yon. "Analytic Classification of Korean Folk Painting." In Traditional Korean Painting. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Kim, Hongnam. "A Korean Buddhist Triad in the Burke Collection." Orientations 21:12 (December 1990): 46-58.

Kim, Hongnam. "Tragedy and Art at the Eighteenth Century Choson Court." Orientations 25:2 (February 1994): 28-37.

Kim, Hyeshin. “Images of Women in National Art Exhibitions during the Korean Colonial Period.” In Joshua S. Mostow, Norman Bryson, and Maribeth Graybill, eds. Gender and Power in the Japanese Visual Field. Honolulu: University of Hawai‘i Press, 2003.

Kim, Kumja Paik. "Tanwon and the Development of Korean Genre Painting." Korean Culture 4:2 (June 1983): 32-45.

Kim, Kumja Paik. "Two Stylistic Trends in Mid-15th Century Korean Painting." Oriental Art 29:4 (Winter 1983-1984): 368-376.

Kim, Kumja Paik. "Review: Painting from Korea's Longest Dynasty." Korean Culture 5:3 (September 1984): 37-45.

Kim, Kumja Paik. "A Yi Dynasty Court Painter, Kim Hongdo (1745-before 1818): Seen Through the T'anwon yumuk and His Landscape Paintings." Oriental Art 32:1 (Spring 1986): 34-47.

Kim, Kumja Paik. "A Choson Dynasty Court Painter, Kim Hong-do: Seen Through the Tanwon yumuk and His Landscape Paintings." Korea Journal 28:2 (February 1988): 15-30.

Kim, Kumja Paik. "The Introduction of the Southern School Painting Tradition to Korea." Oriental Art 36:4 (Winter 1990-1991): 180-197.

Kim, Kumja Paik. "Bamboo and Grapes in Choson Dynasty Painting and Porcelain Decoration." Korean Culture 13:2 (Summer 1992): 18-25.

Kim, Kumja Paik. “Chong Son (1676-1759): His Life and Career.” Artibus Asiae 52 (1992): 329-341.

Kim, Kumja Paik. "Nineteenth-Century Korean Painters of the 'Four Gentlemen.'" Oriental Art 41:4 (Winter 1995-1996): 9-19.

Kim, Won-yong, Choi Sun U, and Im Chong-soon, eds. The Arts of Korea II: Paintings. Seoul: Dong Hwa Publishing Co., 1979.

Kim, Yong-jun. "Chong Son's Painting Style." Korea Journal 13:12 (December 1973): 42-45.

Kim, Youngna. "Modern Korean Painting and Sculpture." In John Clark, ed. Modernity in Asian Art. Sydney: Wild Peony, 1993.

Kim, Youngna. "Yi In-song's 'Local Colours': Nationalism or Colonialism?" Oriental Art 46:4 (Winter 2000): 20-30.

Kim, Youngna. “Artistic Trends in Korean Painting during the 1930s.” In Marlene J. Mayo and J. Thomas Rimer, with H. Eleanor Kerkham, eds. War, Occupation, and Creativity: Japan and East Asia 1920-1960. Honolulu: University of Hawai’i Press, 2001.

Kim, Youngna. “Millet’s Peasant Image: The Receptive Phenomenon in Asia.” Seoul Journal of Korean Studies 14 (2001): 233-262.

Kwon, Young-pil. "Humor, an Aesthetic Value in Korean Art: Especially as Expressed in Scholarly Paintings." Korea Journal 37:1 (Spring 1997): 68-80.

Kwon, Young-pil. “Some Characteristics of Korean Sonbi Scholar Painting.” (Koryo taehakkyo inmun taehak) Inmundae nonjip 16 (1997:12): 527-541.

Lee, Dong-ju. "Wan-dang's Influence on Korean Literati Painting." In International Cultural Foundation, ed. Upper-class Culture in Yi-dynasty Korea. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1982.

Lee, Hochol. “Korean Rice Culture and Characteristics of Agricultural Genre Painting.” Journal of Rural Development 30 (1994:6): 57-72.

Lee, Junghee. "The Evolution of Koguryo Tomb Murals." Korean Culture 13:2 (Summer 1992): 12-17, 40-44.

Lee, Kyung-Sung. "Influence of Western Painting Styles on Korean Art during the Late Yi Dynasty Period." Journal of Social Sciences and Humanities 26 (June 1967): 56-66.

Lee, Ufan. "Yi Dynasty Painting and Its Categories." In Zo Zayong and Lee Ufan, eds. Traditional Korean Painting: A Lost Art Rediscovered. Tokyo: Kodansha, 1990.

Lillehoj, Elizabeth. "Reconsidering the Identity of Ri Shubun." Artibus Asiae 55:1-2 (1995): 99-124.

Maeng, In-jae. "Koryo Paintings." Korea Journal 4:10 (October 1964): 14-17.

McCune, Evelyn B. The Inner Art: Korean Screens. Seoul: Po Chin Chai Printing Company, 1983.

McKillop, Beth. "A Korean Buddhist Illuminated Manuscript." The British Library Journal 24:1 (Spring 1998): 158-XXX.

Mellot, Richard L. "A Korean Painting of Avalokitesvara." Orientations 18:1 (January 1987): 39-41.

Moes, Robert. Auspicious Spirits: Korean Folk Paintings and Related Objects. New York: International Exhibitions Foundation, 1983.

Moes, Robert. "Auspicious Spirits: Korean Folk Paintings and Related Objects." Orientations 14:9 (September 1983): 30-43.

Nikitina, M.N. "On the Semantics of the 'Unicorn': From the Tomb of the Paekche King Muryong." In Daniel Bouchez, Robert C. Provine, and Roderick Whitfield, eds. Twenty Papers on Korean Studies Offered to Professor W.E. Skillend. Paris: Centre d'Etudes Coreennes, College de France, 1989. [Cahiers d'Etudes Coreennes 5 (1989)]

Pak, Young-sook. "Illuminated Manuscript of the Amitabha Sutra." Orientations 13:12 (December 1982): 44-48.

Pak, Young-sook. "Amitabha Triad: A Koryo Painting in the Brooklyn Museum." In Sambul Kim Wol-lyong kyosu chongnyon t'oeim kinyom nonch'ong kanhaeng wiwonhoe, ed. Sambul Kim Wol-lyong kyosu chongnyon t'oeim kinyom nonch'ong II: Misul sahak - yoksahak - illyu-minsok p'yon. Seoul: Ilchisa, 1987.

Pak, Young-sook. "Illuminated Buddhist Manuscripts in Korea." Oriental Art 33:4 (Winter 1987-1988): 352-374.

Pak, Young-sook. "Buddhist Themes in Koguryo Murals." Asiatische Studien 44:2 (1990): 177-204.

Pak, Young-sook. "Images of Ch'onsu Kwanum in Korea." The Rise of Esoteric Buddhist Art PDF Colloquy 13 (1994): 144-164.

Pak, Young-sook. "The Role of Legend in Koryo Iconography (I): The Kshitigarbha Triad in Engakuji." In Function and Meaning in Buddhist Art. Leiden: Leiden University Press, 1995.

Pak, Youngsook. "Serenity and Composure: The Art of Korea at The Metropolitan Museum of Art." Orientations 29:8 (August 1998): 50-60.

Park, Jeong-hye. “19th Century Court Banquets and Folding Screens of the Court Banquets.” In So Inhwa, Pak Chonghye, and Chudi Panjail, eds. Choson shidae chinyon chinch’an chinha pyongp’ung. Seoul: Kungnip kugagwon, 2000.

Park, J.P. “Nostalgia for Homeland and Lamentation over Lost Power: The Oxherd and the Weaver in Dokhung-ni Tomb.” Orientations 35:5 (June 2004): 32-37.

Portal, Jane. "Korean Shaman Paintings." Oriental Art 41:1 (Spring 1995): 2-9.

Portal, Jane. "Koryo Dynasty Art in the British Museum." Orientations 29:8 (August 1998): 69-XXX.

Portal, Jane. “Korean Portraits in the British Museum.” Apollo 489 (November 2002): 30-35.

Pratt, Keith. Korean Painting. New York: Oxford University Press, 1995.

Rathbun, William. "Korean Ink Painting Screens of the Nineteenth Century." Orientations 25:8 (August 1994): 34-41.

Seckel, Dietrich. "Some Characteristics of Korean Art II: Preliminary Remarks on Yi Dynasty Painting." Oriental Art 25:1 (Spring 1979): 62-73.

Sok, Do-ryun. "Yi Dynasty Scholar Painting." Korea Journal 6:8 (August 1966): 16-25.

Sok, Do-ryun. "Yi Dynasty Scholar Painting." In Traditional Korean Painting. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Sorensen, Henrik H. "The Hwaom Kyong Phonsang to: A Yi Dynasty Buddhist Painting of the Dharma Realm." Oriental Art 34:2 (Summer 1988): 91-105.

Sorensen, Henrik H. The Iconography of Korean Buddhist Painting. Leiden: E.J. Brill, 1989.

Van Zile, Judy. “Resources for Knowing the Past: Issues in Interpreting Iconographic Representations of Korean Dance.” In So Inhwa, Pak Chonghye, and Chudi Panjail, eds. Choson shidae chinyon chinch’an chinha pyongp’ung. Seoul: Kungnip kugagwon, 2000.

Vos, Ken. Korean Painting: A Selection of Eighteenth Century to Early Twentieth Century Paintings from the Collection of Cho Won-Kyung. London: Bamboo Publishing, 1994.

Williams, Marjorie. "Mountains and Valleys of Portraiture." Korean Culture 2:2 (June 1981): 14-19.

Williams, Marjorie. "Five Hundred Years of Korean Painting." Orientations 12:1 (January 1981): 6-17.

Won, Tong-sok. "Characteristics of Southern-Style Landscapes of Oksan." Korea Journal 19:7 (July 1979): 62-63.

Won, Tong-sok. "Development and Characteristics of Modern Korean Painting." Korea Journal 26:1 (January 1986): 20-27.

Yi, Ku-yol. "200 Years of Catholic Art in Korea." Korea Journal 24:8 (August 1984): 53-59.

Yi, Song-mi.  "The Screen of the Five Peaks of the Choson Dynasty."  Oriental Art 42:4 (Winter 1996): 13-24. 

Yi, Song-mi. "Yi Chong: The Foremost Bamboo Painter of the Choson Dynasty." Orientations 29:8 (August 1998): 61-68.

Yi, Song-Mi. “Artistic Tradition and the Depiction of Reality: True-view Landscape Painting of the Choson Dynasty.” In The Metropolitan Museum of Art, ed. Arts of Korea. New York: The Metropolitan Museum of Art, 1998.

Yi, Song-mi. "Sin Saimdang: The Foremost Woman Painter of the Choson Dynasty." Oriental Art 46:1 (Spring 2000): 35-47.

Yi, Song-mi. “Western Influence on Korean Painting of the Late Choson Period.” In Embracing the Other: The Interaction of Korean and Foreign Cultures: Proceedings of the 1st World Congress of Korean Studies, I. Songnam, Republic of Korea: The Academy of Korean Studies, 2002.

Yi, Tong-ju. "Tanwon Kim Hong-do His Life and Works (I), (II)." Korea Journal 13:8 (August 1973): 44-50; 13:9 (September 1973): 59-64.

Yoon, Yeol-su. Handbook of Korean Art, vol. 4: Folk Painting. London and Seoul: Laurence King and Yekyong Publishers, 2002.

Zo, Za-yong. "A Note on Korean Folk Painting." In Suh Cheong-Soo and Pak Chun-kun, eds. Aspects of Korean Culture. Seoul: Soodo Women's Teachers College Press, 1974.

Zo, Za-yong. "Shamanism in Korean Painting." Korea Journal 13:6 (June 1973): 48-51.

Zo, Za-yong. "Folk Painting and Folk Aesthetics." Korea Journal 17:2 (February 1977): 4-11.

Zo, Za-yong. "Symbolism in Korean Folk Painting." Korea Journal 19:1 (January 1979): 21-333.

Zo, Za-yong. "Shamanistic Art: Cult or Craft?" Korean Culture 1:2 (Spring 1980): 12-18.

Zo, Za-yong. "Symbolism in Korean Folk Painting." In Traditional Korean Painting. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Zo, Za-yong. "Folk Painting and Folk Aesthetics." In Traditional Korean Painting. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Zo, Za-yong. Traditional Korean Painting: A Lost Art Rediscovered. Tokyo: Kodansha International, 1990.

 

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