Korean History: A Bibliography
Compiled by Kenneth R. Robinson
Maintained by The Center for Korean Studies, University of Hawai`i


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Music

Chang, Hwiju. “A Study of Yongsan chakpop.” Tongyang umak 21 (1999): 145-149.

Chang, Sa-hun. "Korean Traditional Music." East Asian Review 2:3 (Autumn 1975): 317-337.

Chang, Sa-hun. "Transmutation of Korean Music." Korea Journal 16:12 (December 1976): 15-19.

Chang, Sa-hun. "Korean and Chinese Chongjae." Korea Journal 18:2 (February 1978): 14-25.

Chang, Sa-hun. "Education in Classical Korean Music, Past and Present." Korea Journal 20:11 (November 1980): 39-45.

Chang, Sa-hun. "Education in Classical Korean Music, Past and Present." In Traditional Korean Music. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Cho, Euiyon. "Traditional Korean Music, Nong-ak, and Pansori: Their History and Features." Asian Culture Quarterly 17:3 (Fall 1989): 30-35.

Chun, In Pyong. "Rhythmic Structure in Yo Min Rak." In Kwanjae Song Kyongnin sonsaeng p'alsun kinyom nonmunjip kugakhak nonch'ong kanhaeng wiwonhoe, ed. Kugakhak nonch'ong: Kwanjae Song Kyong-nin sonsaeng p'alsun kinyom nonmunjip. Seoul: Kugak kodung hakkyo tongch'anghoe, 1992.

Chon, Inpyong. “The Triple Musical Form of Southeast Asian and Korean Music.” In Indian Culture and Asian Culture. Calcutta: Asiatic Society, 1995.

Chon, Inpyong. “The Rhythmic Modes (Jongdan) of Yeongsanhoesangi and Tala in the Natya Sastra.” In Korean-Indian Culture. Seoul: Tagore Society of Korea, 2000.

Chon, Inpyong. “Tibetan Rolmo Logarhythmic Structure in Korean Music.” Himalayan and Central Asian Studies 4:1 (January-March 2000): 41-58.

Chun, In-Pyong. “Man Zhong Kuai Musical Form in Chinese and Korean Music.” Sonus 20:2 (2000): 5-15.

Chon, Inpyong. “Man Zhong Kuai Musical Form in Chinese and Korean Music.” Journal of Yunnan Arts Institute XXX (2000): 16-33.

Chon, Inpyong. “The Rhythmic Modes (Jongdan) of Yeongsanhoesangi and Tala in the Natya Sastra.” In Chon Inbyong. Ashia umak yongu. Seoul: Chungang taehakkyo ch’ulp’anbu, 2001.

Chon, Inpyong. “Tibetan Rolmo Logarhythmic Structure in Korean Music.” In Chon Inbyong. Ashia umak yongu. Seoul: Chungang taehakkyo ch’ulp’anbu, 2001.

Chon, Inpyong. “Man Zhong Kuai Musical Form in Chinese and Korean Music.” In Chon Inbyong. Ashia umak yongu. Seoul: Chungang taehakkyo ch’ulp’anbu, 2001.

Chon, Inpyong. “The Triple Musical Form of Southeast Asian and Korean Music.” In Chon Inbyong. Ashia umak yongu. Seoul: Chungang taehakkyo ch’ulp’anbu, 2001.

Chon, Inpyong. “A Study of jangdan(rhythmic cycle) in Terms of ‘Long and Short’ with Reference to Yeongsanhoesang and Sanjo.” In Chon Inbyong. Ashia umak yongu. Seoul: Chungang taehakkyo ch’ulp’anbu, 2001.

Chon, Inpyong. “Rhythmic Structure in Yeomillak.” In Chon Inbyong. Ashia umak yongu. Seoul: Chungang taehakkyo ch’ulp’anbu, 2001.

Chun, In Pyong. “Man Zhong Kuai Musical Form of Chinese and Korean Music.” Asian Musicology 2 (2002:12): 5-26.

Codesaca, Maria Silvia. "Kaya-go and Other Korean Strings Instruments." Korea Journal 15:4 (April 1975): 63-65.

Codesaca, Maria Silvia. "Kaya-go and Other Korean Strings Instruments." In Traditional Korean Music. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Condit, Jonathan. "The Evolution of Yomillak from the Fifteenth Century to the Present Day." In Tongyang umakhak nonch'ong: Chang Sa-hun paksa hoegap kinyom. Seoul: Hanguk kugak hakhoe, 1977.

Condit, Jonathan. "Uncovering Earlier Melodic Forms from Modern Performance: The Kasa Repertoire." Asian Music 9:2 (1978): 3-20.

Condit, Jonathan. "A Fifteenth Century Korean Score in Mensural Notation." Musica Asiatica 2 (1979): 1-88.

Condit, Jonathan. "Two Song-dynasty Chinese Tunes Preserved in Korea." In D.R. Widdess and R.F. Wolpert, eds. Music and Tradition: Essays on Asian and Other Musics Presented to Laurence Picken. London: Cambridge University Press, 1981.

Condit, Jonathan. "Korean Scores in the Modified Fifteenth-century Mensural Notation." Musica Asiatica 4 (1984): 1-116.

Condit, Jonathan. Music of the Korean Renaissance: Songs and Dances of the Fifteenth Century. Cambridge: Cambridge University Press, 1984.

Du, Yaxiong. “The Construction of Sanjo and Its Numbering System.” Hanguk umaksa hakpo 29 (2002:12): 705-715.

Hahn, Man-young. "Traditional Music of Korea." In Suh Cheong-Soo and Pak Chun-kun, eds. Aspects of Korean Culture. Seoul: Soodo Women's Teachers College Press, 1974.

Hahn, Man-young. "Religious Origins of Korean Music." Korea Journal 15:7 (July 1975): 17-22.

Hahn, Man-young. "Cho (mode-scale) of Hyang-ak." Korea Journal 18:2 (February 1978): 26-29.

Hahn, Man-young. "Religious Origins of Korean Music." In Traditional Korean Music. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Hahn, Man-young. Kugak: Studies in Korean Traditional Music. Seoul: Tamgu Dang, 1990.

Han, Myung-hee. "Music, Dance, Drama and Games." In Korean National Commission for UNESCO, ed. Kyongju: City of Millenial History. Elizabeth, NJ: Hollym International Corp., 1998.

Han, Young-sook and Lee Mi-kyong. "Traditional Dances of Korea." In Suh Cheong-Soo and Pak Chun-kun, eds. Aspects of Korean Culture. Seoul: Soodo Women's Teachers College Press, 1974.

Howard, Keith. "Bands and Songs: Historical Precedents for the Contemporary Confluence of Rural and Urban Folk Music Styles in Korea." World of Music 28:2 (1986): 14-25.

Howard, Keith. “The Korean Kayagum: The Making of a Korean Zither.” Papers of the British Association of Korean Studies 5 (1994): 1-22.

Howard, Keith. “Lee Hye-ku and the Development of Korean Musicology.” Acta Koreana 5:1 (2002): 75-96.

Hughes, David W. "Oral Mnemonics in Korean Music: Data, Interpretation, and Musicological Application." Bulletin of the School of Oriental and African Studies 54:2 (1991): 307-335.

Hwang, Byong-ki. "Aesthetic Characteristics of Korean Music in Theory and in Practice." Asian Music 9:2 (1978): 29-40.

Hwang, Junyon. “The Music of the Literati in the Late Choson Period.” Tongyang umak 21 (1999): 245-250.

Killick, Andrew P. "The Choson Songak Yon'guhoe and the Advent of Mature Ch'angguk Opera." The Review of Korean Studies 1 (September 1998): 76-100.

Killick, Andrew P. “Ch’angguk Opera and the Category of the ‘Traditionesque.’” Korean Studies 25:1 (2001): 51-71.

Killick, Andrew P. “The Traditional Opera of the Future?: Ch’angguk’s First Century.” In Nathan Hesselink, ed. Contemporary Directions: Korean Folk Music Engaging the Twentieth Century and Beyond. Berkeley: Institute of East Asian Studies, University of California, 2001.

Killick, Andrew. “Korean Ch’angguk Opera: Its Origins and Its Origin Myth.” Asian Music 33:2 (Spring/Summer 2002): 43-82.

Killick, Andrew P. “Jockeying for Tradition: The Checkered History of Korean Ch’angguk Opera.” Asian Theatre Journal 20:1 (Spring 2003): 43-70.

Kim, Byong-Kon. "Aesthetics in Kagok: The Musics of Yi Intellectuals." Yesulwonbo 33 (1989): 149-172.

Kim, Chong-ja. "Melodic Embellishment in Korean Royal Ancestral Shrine Music." Hanguk umak yongu 2 (1981): 53-68.

Kim, Jin-gyun. "The Influence of Christianity in Korea's Development: Viewed from Aspect of Music." (Kyemyong taehak tongso munhwa yonguso) Tongso munhwa 7 (1974): 213-248.

Kim, Jong-Su. “Cultural Heritage of Seoul: Music in the Joseon Dynasty.” In Seoul Museum of History. Seoul: Seoul Museum of History, 2002.

Kim, Jung-nyu. "The Character and Aesthetic Value of S Seong Moo." Hanguk umak yongu 2 (1981): 71-75.

Kim, Sejoong. “Ne-naissance: Rethinking the A’ak Reforms by King Sejong and Pak Yon.” Tongyang umak 21 (1999): 155-164.

Kim, Yong-mann. "Korean Traditional Music: The History of its Relations with Chinese Music (I), (II)." Korean Culture 10:4 (Winter 1989): 23-33; 11:2 (Summer 1990): 13-17.

Kim, Young-woon. "The Origin and Structure of the Kayagum." Korea Journal 38:2 (Summer 1998): 287-317.

Kim, Young-woon. “Changes in the Twentieth Century Korean Folksong: Centering on Gaeseong nonbongga.” The Review of Korean Studies 6:2 (December 2003): 191-231.

Kwon, Tohui. “Reorganization of Musical Groups in the Beginning of the 20th Century.” Tongyang umak 20 (1998:12): 269-287.

Lee, Baik-chun. "Jazz in Postwar Korea." Korea Journal 4:9 (September 1964): 21-23.

Lee, Byong Won. "Structural Formulae of Melodies in the Two Sacred Buddhist Chant Styles in Korea." Korean Studies 1 (1977): 111-196.

Lee, Byong Won. "Perspectives on the Problems of the Ethnomusicological Research of Korean Music." Korea Journal 20:11 (November 1980): 32-38.

Lee, Byong Won. Korean Court Music and Dance." World of Music 23:1 (1981): 35-49.

Lee, Byong Won. "Micro- and Macro-Structure of Melody and Rhythm in Korean Buddhist Chant." Korea Journal 22:3 (March 1982): 33-38.

Lee, Byong Won. "Micro- and Macro-Structure of Melody and Rhythm in Korean Buddhist Chant." In Traditional Korean Music. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Lee, Byong Won. Buddhist Music of Korea. Seoul: Jungeumsa, 1987.

Lee, Byong Won. “The Characteristic Timbre in Korean Music as Reflected in the Adoption of the Chinese Yuzheng and the Modification of Traditional Instruments.” In Yi Hyegu hakuslsang unyong wiwonhoe, ed. Yi Hyegu paksa kusun kinyom umakhak nonch’ong. Seoul: Yi Hyegu hakuslsang unyong wiwonhoe, 1998.

Lee, Byongwon. “Western Staff Notation and Its Impact on Korean Musical Practice.” Tongyang umak 22 (2000): 89-96.

Lee, Chaesuk. “The Development of the Construction and Performance Techniques of the Kayagum.” In Nathan Hesselink, ed. Contemporary Directions: Korean Folk Music Engaging the Twentieth Century and Beyond. Berkeley: Institute of East Asian Studies, University of California, 2001.

Lee, Hye-ku. "Historical Mensural Notation in Korea." Korean Affairs 1:3 (1962): 267-274.

Lee, Hye-ku. "Traditional Music." In Sung-nyong Lee, ed. Korean Studies Today: Development and State of the Field. Seoul: Institute of Asian Studies, Seoul National University, 1970.

Lee, Hye-ku. "Introduction to Korean Music." Korea Journal 16:12 (December 1976): 4-14.

Lee, Hye-ku. An Introduction to Korean Music and Dance. Seoul: The Royal Asiatic Society, Korea Branch, 1977.

Lee, Hye-ku. "Difference between Hyangak and Tang-ak." Korea Journal 18:2 (February 1978): 4-13.

Lee, Hye-ku. “Ethnomusicology in Korea.” Asian Culture 7:3 (Autumn 1979): XXX-XXX.

Lee, Hye-ku. "Quintuple Meter in Korean Instrumental Music." Asian Music 13:1 (1981): 119-129.

Lee, Hye-ku. Essays on Korean Traditional Music. Seoul: Seoul Computer Press for The Royal Asiatic Society, Korea Branch, 1981.

Lee, Hye-ku. "Introduction to Korean Music." In Traditional Korean Music. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Lee, Hye-ku. "Difference between Hyang-ak and Tang-ak." In Traditional Korean Music. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Lee, Hye-ku. "Sung Dynasty Music Preserved in Korea and China." Korean Studies 10 (1986): 69-92.

Lee, Hye-ku, comp. and ed. Korean Musical Instruments. Seoul: National Classical Music Institute of Korea, 1982.

Lee, Insuk. “Aesthetics of Kagok: The Integration of Music and Korean Culture.” In Sonhwa Kim Chongja kyosu hwagap kinyom nonmunjip kanhaeng wiwonhoe, ed. Sonhwa Kim Chongja kyosu hwagap kinyom ¡makhak nonmunjip. Seoul: Sonhwa Kim Chongja kyosu hwagap kinyom nonmunjip kanhaeng wiwonhoe, 2002.

Lee, Kang-sook. "An Essay on Korean Modes." Asian Music 9:2 (1978): 41-47.

Lee, Kang-sook. "Korean Music Culture." In Traditional Korean Music. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Lee, Yong-Shik. “Pookchung Lion Dance Music.” Sonus 20:2 (2000): 57-67.

Lim, Mi-sun. "The Function of Music in Court Ceremonies of the Choson Period." In Sang-Oak Lee and Duk-Soo Park, eds. Perspectives on Korea. Sydney: Wild Peony, 1998.

Lee, Sang-kyu. “The Origin of Taegum, the Large Transverse Flute of Korea.” Tongyang umak 20 (1998): 253-260.

Lee, Sang-Man. "The Essential Characteristics of Korean Traditional Music." Asian and Pacific Quarterly of Cultural and Social Affairs 8:3 (Winter 1976): 40-44.

Lee, Young-min. "The Development of Western-Style Orchestral Music in Korea: The Early Years." Songshin yoja taehakkyo yongu nonmunjip 25 (1987:2): 357-387.

Malm, William P. "The Unique Position of Korea in the Study of East Asian Music." In Che-1 hoe kukche haksulhoe ui nonmunjip: Papers of the 1st International Conference on Korean Studies. Sungnam: Hanguk chongshin munhwa yonguwon, 1980.

Moon, Kwi-ok. "Folk Songs of Korea." In Suh Cheong-Soo and Pak Chun-kun, eds. Aspects of Korean Culture. Seoul: Soodo Women's Teachers College Press, 1974.

Park, Mikyung. "Confucian Symbolism in the Court Ritual Music of Korea." Journal of Asian Culture 4 (Spring 1980): 143-153.

Pratt, Keith L. Korean Music: Its History and Its Performance. London: Faber Music in association with Jun Eum Sa Publishing Corp., 1987.

Provine, Robert C., Jr. "The Sacrifice to Confucius in Korea and Its Music." Transactions of the Korea Branch of the Royal Asiatic Society 50 (1975): 43-69.

Provine, Robert C., Jr. "Preliminary Translation of a Memorial by Pak Yon, on Music in Sacrificial Rites." In Tongyang umakhak nonch'ong: Chang Sa-hun paksa hoegap kinyom. Seoul: Hanguk kugak hakhoe, 1977.

Provine, Robert C., Jr. "Who's in Charge Here?: The Musical Bureaucracy in the Early Yi Dynasty Court (1392-1466)." Asian Music 9:2 (1978): 48-58.

Provine, Robert C., Jr. "'Chinese' Ritual Music in Korea: The Origins, Codification, and Cultural Role of Aak." In Che-1 hoe kukche haksul hoeui nonmunjip: Papers of the 1st International Conference on Korean Studies. Songnam: Hanguk chongshin munhwa yonguwon, 1980.

Provine, Robert C., Jr. "'Chinese' Ritual Music in Korea: The Origins, Codifications, and Cultural Role of Aak." Korea Journal 20:2 (February 1980): 16-25.

Provine, Robert C., Jr. "The Korean Courtyard Ensemble for Ritual Music (Aak)." Yearbook for Traditional Music 24 (1982): 91-117.

Provine, Robert C., Jr. "Brief Introduction to Traditional Korean Folk Music." In Traditional Korean Music. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Provine, Robert C., Jr. "'Chinese' Ritual Music in Korea." In Traditional Korean Music. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Provine, Robert C., Jr. "Sejong and the Preservation of Chinese Ritual Melodies." In Traditional Korean Music. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Provine, Robert C., Jr. "Korean Music in Historical Perspective." World of Music 27:2 (1985): 3-13.

Provine, Robert C., Jr. "Tracing the Ta-sheng yueh-p'u, a Progenitor of Korean Aak." In Segye-sok ui Hanguk munhwa: Yulgok 400 chugi e chuum hayo: Che-3 hoe kukche haksul hoeui nonmunjip: Korean Culture and Its Characteristics on the Occasion of the 400th Anniversary of Yi Yulgok's Death: Papers of the 3rd International Conference. Songnam: Hanguk chongshin munhwa yonguwon, 1985.

Provine, Robert C., Jr. "Vocal and Instrumental Music in Sacrifical Rites Performed at the Korean Royal Court: A Case History." Marc Honegger, et al, eds. Actes du XIIIe Congrès de la Société Internationale de Musicologie, Strasbourg, 29 aoóp -3 Septembre 1982: La Musique et le rite sacré et profane, I. Strasbourg: Association des Publications près les Universités de Strasbourg, 1986.

Provine, Robert C., Jr. "The Nature and Extent of Surviving Chinese Musical Influence on Korea." World of Music 29:2 (1987): 5-16.

Provine, Robert C., Jr. Essays on Sino-Korean Musicology: Early Sources for Korean Ritual Music. Seoul: Iljisa Publishing Company, 1988.

Provine, Robert C., Jr. "Thoughts on Translating the Akhak Kwebom into English." In Hangukhak ui kwaje wa chonmang: Che-5 hoe kukche haksul hoeui segye Hangukhak taehoe nonmunjip II (Yesul - sasang - sahoe p'yon): Korean Studies, Its Tasks and Perspectives II: Papers of the 5th International Conference on Korean Studies. Songnam: Hanguk chongshin munhwa yonguwon, 1988.

Provine, Robert C., Jr. "State Sacrificial Rites and Ritual Music in Early Choson." Kugagwon nonmunjip 1 (1989): 239-307.

Provine, Robert C. "Traditional Korean Vocal Music." In James Huntley Grayson, ed. Koreana: Ten Years of Korean Studies at the University of Sheffield, 1979-1989. Sheffield, Eng.: School of East Asian Studies, Centre for Korean Studies, University of Sheffield, 1991.

Provine, Robert C., Jr. "King Sejong and Music." In Young-Key Kim-Renaud, ed. King Sejong the Great: The Light of 15th Century Korea. Washington, D.C.: International Circle of Korean Linguistics, 1992.

Provine, Robert C., Jr. "Korea." In Helen Myers, ed. Ethnomusicology: Historical and Regional Studies. London: Macmillan, 1993.

Provine, Robert C., Jr. "Patterns of Compilation: Thoughts on Chapter 6 of the Akhak kwebom." Hanguk umaksa hakpo 11 (1993): 511-519.

Provine, Robert C. "State Sacrificial Music and Korean Identity." In Bell Yung, Evelyn S. Rawski, and Rubie Watson, eds. Harmony and Counterpoint: Ritual Music in Chinese Context. Stanford, CA: Stanford University Press, 1996.

Provine, Robert C.  "Music Information in the Kukcho oryeui and Kukcho orye sorye of 1474: An Exercise in Historical Ethnomusicology."  Hanguk umaksa hakpo 20 (1998): 631-650. 

Provine, Robert C. “Rethinking Authenticity in Traditional Korean Music.” In Yi Hyegu hakuslsang unyong wiwonhoe, ed. Yi Hyegu paksa kusun kinyom umakhak nonch’ong. Seoul: Yi Hyegu hakuslsang unyong wiwonhoe, 1998.

Provine, Robert C., Yosihiko Tokumaru, and C. Lawrence Witzleben, eds. The Garland Encyclopedia of World Music, Volume 7: East Asia: China, Japan, and Korea. London: Routledge, 2002.

Provine, Robert C. “A Chinese Document or a Korean Document?: The Description of Dasheng Performing Ensembles in the Koryosa.” Hanguk umaksa hakpo 29 (2002:12): 747-756.

Rockwell, Coralie J. "Kayago: The Origin and Evolution of the Korean Twelve-string Zither." Transactions of the Korea Branch of the Royal Asiatic Society 49 (1974): 26-47.

Sheen, Dae-Cheol. “Some Koreanized Aspects of Chinese Music in the History of Korean Music.” (Soul taehakkyo umak taehak pusol Tongyang umak yonguso) Minjok umakhak 19 (1997:11): 97-121.

Shin, Eui Hang and Joong-Hwan Oh. “Changing Patterns of Social Network Structure in Composer-Singer Relationships: A Case Study of the Korean Popular Music Industry, 1927-1997.” East Asia: An International Quarterly 20:1 (Spring 2002): 24-54.

So, In-hwa. “Music Reflected in the 19th Century Folding Screens of Court Banquets and Congratulatory Ceremonies.” In So Inhwa, Pak Chonghye, and Chudi Panjail, eds. Choson shidae chinyon chinch’an chinha pyongp’ung. Seoul: Kungnip kugagwon, 2000.

So, Inhwa. Theoretical Perspectives on Korean Traditional Music: An Introduction. Seoul: The National Center for Korean Traditional Performing Arts, Ministry of Culture and Tourism, 2002.

Song, Bang-song. "History of Korean Music." Ethnomusicology 21:1 (January 1977): 138-149.

Song, Bang-song. "Ritual Traditions of Korea." Asian Music 8:2 (1977): 26-46.

Song, Bang-song. "Korean Music: An Annotated Bibliography Second Supplement." Asian Music 9:2 (1978): 65-112.

Song, Bang-song. Source Readings in Korean Music. Seoul: Korean National Commission for Unesco, 1980.

Song, Bang-song and Keith Pratt. "The Unique Flavor of Korean Music." Korean Culture 1:3 (Summer 1980): 4-14.

Song, Bang-song. "Korean Musicology: Its Historical Development and Problems." Korea Journal 20:11 (November 1980): 11-26.

Song, Bang-song. "The Tradition of Confucian Ritual Music of Korea: A Historical Survey." Hanguk umak yongu 2 (1981): 43-50.

Song, Bang-song. "The Etymology of the Korean Six-stringed Zither, Komun'go." In Traditional Korean Music. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Song, Bang-song. "Korean Kwangdae Musicians and Their Musical Traditions." In Traditional Korean Music. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Song, Bang-song. "Korean Musicology." In Traditional Korean Music. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Song, Bang-song. The Sanjo Tradition of Korean Komun'go Music. Seoul: Jung Eum Sa, 1986.

Song, Bang-song. "Music Exchange between Korea and Central Asia in Ancient Times." Korea Journal 31:2 (Summer 1991): 33-40.

Song, Bang-song.  Korean Music: Historical and Other Aspects.  Seoul: Jimoondang, 2000.

Song, Bang-Song. “The Historical Development of Korean Folk Music.” In Nathan Hesselink, ed. Contemporary Directions: Korean Folk Music Engaging the Twentieth Century and Beyond. Berkeley: Institute of East Asian Studies, University of California, 2001.

Song, Bang-song. “An Aspect of Korean Traditional Music in the 1920s.” The Review of Korean Studies 4:2 (December 2001): 265-279.

Song, Hyejin. “The Acceptance of Ta-Sheng Ya-Yueh in Goryeo.” Kugagwon nonmunjip 3 (1991): 63-74.

Song, Hyejin. “The Acceptance of Ta-Sheng Ya-Yueh in Goryeo.” In Song Hyejin. Hanguk aaksa yongu. Seoul: Insogwon, 2000.

Song, Hye-jin. A Stroll through Korean Music History. Seoul: The National Center for Korean Traditional Performing Arts, Ministry of Culture and Tourism, 2000.

Song, Ji-won. “The Musical Achievements of the Scholar-King Chongjo of the Late 18th-Century Choson Dynasty.” Tongyang umak 21 (1999): 227-236.

Song, Kyong-nin. "Korean Court Dance." Korea Journal 16:12 (December 1976): 20-24.

Suhr, Moon Ja Minn. "Confucian Ritual Ceremony in Korea: Music and Dance." Korean Culture 10:1 (Spring 1989): 29-39.

Sur, Donald. "Tonal Arrangements in Korean Classical Music." Korean Culture 1:3 (Summer 1980): 15-18.

Sutton, R. Anderson. "Korean Music in Hawaii." Asian Music 19:1 (Fall-Winter 1987): 99-120.

Wells, Marnix St. John. “Rhythms of Percussion and Melody in Classical Korean and Chinese Art Song.” Hanguk umak yongu 17-18 (1989:12): 133-200.

Willoughby, Heather. “The Sound of Han: P’ansori, Timbre, and a Korean Ethos of Pain and Suffering.” Yearbook for Traditional Music 32 (2000): 15-30.

Yi, Hyegu. “Ethnomusicology in Korea.” In Yi Hyegu. Hanguk umak nonjip. Seoul: Segwang umak ch’ulp’ansa, 1985.

Yi, Hyegu. “Introduction to Korean Music.” In Yi Hyegu. Hanguk umak nonjip. Seoul: Segwang umak ch’ulp’ansa, 1985.

Yi, Hyegu. “Difference between Hyang-ak and Tang-ak.” In Yi Hyegu. Hanguk umak nonjip. Seoul: Segwang umak ch’ulp’ansa, 1985.

Yi, Hyegu. “Variations in the Korean Classical Lyric Song (Kag’ok).” In Yi Hyegu. Hanguk umak nonjip. Seoul: Segwang umak ch’ulp’ansa, 1985.

Yi, Hyegu. “Quintuple Meter in Korean Instrumental Music.” In Yi Hyegu. Hanguk umak nonjip. Seoul: Segwang umak ch’ulp’ansa, 1985.

Yi, Po-hyong. "Performing Style of Korean Traditional Music." In Traditional Korean Music. Seoul: The Si-sa-yong-o-sa Publishers, Inc., 1983.

Yi, Po-hyong. "Musical Study on Arirang." Korea Journal 28:7 (July 1988): 35-47.

Zong, In-sob. "The Classical Music and Dance of Korea." Chungang taehakkyo nonmunjip 6 (1961:12): 5-25.

 

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