PHIL 616 Fall 2008 (Deutsch)
Phil 616 Studies in Aesthetics:
Contemporary Issues
Fall 2008
M 12:45-3:15
Instructor: Eliot Deutsch
SYLLABUS
This seminar will explore selected themes in Contemporary Aesthetics; e.g., the nature of art, interpreting artworks, art and morality, aesthetics of nature and of the different arts. Readings will include both Anglo-American analytic and Continental sources with reference, where appropriate, to Asian works. Each student will prepare one substantial research paper on a topic of his or her choice in consultation with the instructor. Students with documented disabilities are invited to speak with the instructor and to contact the KOKUA program at 956-7511 (voice/text), QLC 013.
All readings will be in Lamargue & Olsen, Aesthetics and Philosophy of Art : The Analytic Tradition (LO) and Kivy, The Blackwell Guide to Aesthetics (K), unless otherwise specified as handouts or on reserve.
Schedule and Readings
8/25 Levinson, “Philosophical Aesthetics: An Overview” (handout)
9/1(Holiday: Labor Day)
Defining Art
9/8 Danto, “The Artworld” in LO (3)
Levinson, “Defining Art Historically” in LO (4)
Dickie, “The New Institutional Theory of Art” in LO (5)
Goodman, “When is Art” (handout)
9/15 Carroll,”Identifying Art,” (handout)
Benjamin, “The Work of Art in the Age of Mechanical Reproduction” (handout)
Adorno, “Art, Society, Aesthetics” (handout)
Dufrenne, “The World of the Aesthetic Object” (handout)
Interpreting Artworks
9/22 Beardsley, “Intentions and Intepretations: A Fallacy Revisited” in LO (16)
Danto, “The Appreciation and Interpretation of Works of Art” (handout)
Chari, “Indian Theories of Interpretation” (handout)
9/29 Stern, “Interpretation in Aesthetics” in K(6)
Heidegger, “The Origin of the Work of Art” (handout)
10/6 Gadamer, “The Ontology of the Work of Art and its Hermeneutical Significance,” “The Relevance of the Beautiful” (handouts)
Art and Morality
10/13 Carroll, “Art and the Moral Realm” in K (7)
Gaut, “The Ethical Criticism of Art” (handout)
Kieran, “Forbidden knowledge: The challenge of immoralism” (handout)
10/20 Tanner, “Ethics and aesthetics are -?” (handout)
Motherstill, “Make-belief morality and fictional works” (handout)
Lyas, “Art, expression and morality” (handout)
Aesthetics of the Visual Arts
10/27 Wollheim, “What the artist does”; “What the spectator sees” (in Painting as an Art - on reserve)
Gombrich, “Visual Metaphors of Value in Art” (handout)
Merleau-Ponty, Cezanne’s Doubt” (handout)
Graham, “Architecture” (handout)
Film Aesthetics
11/3 Gaut, “The Philosophy of the Movies: Cinematic Narration” in K (13)
Carroll, “The Power of Movies” in LO (41)
Baudillard, “The Evil Demons of Images,” (handout)
Philosophy of Literature
11/10 Sartre, “What Is Writing?” (handout)
Olsen, “Literary Aesthetics and Literary Practice” in LO (36)
Barthes, “The Death of the Author,” “From Work to Text” (handouts)
Lamargue, “The Death of the Author: An Analytical Autopsy” in LO (37)
Music Aesthetics
11/17 Alperson, “The Philosophy of Music: Formalism and Beyond” in K (14)
Scruton, “Understanding Music” in LO (38)
Kivy, “The Profundity of Music” in LO (39); “Emotions in the Music” (handout)
Jullien, “Silent Music,” “The Ideology of Blandness”
(handouts)
Aesthetics of Nature
11/24 Crawford, “The Aesthetics of Nature and the Environment” in K(17)
Hepurn, “Contemporary Aesthetics and the Neglect of Natural Beauty” in LO (44)
Carlson, “The Aesthetics of Nature,”(handout);
Appreciation and the Natural Environment” in LO (45)
Budd, “The Aesthetic Appreciation of Nature” in LO (46)
12/1 Student Papers (drafts due 11/24)
12/8 Student Papers (drafts due 12/1)
(12/15 Deadline For Submission of Final Papers)