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CREATED:20260914T055354Z
DESCRIPTION:Odilon Redon admired Paul Gauguin’s use of color, which he called color “derived from another.” This notion of a distinctly foreign (as opposed to French) palette is central to both artists’ work, which features striking, nonmimetic colors. Both were reacting against Neo- Impressionist color theory as well as color theorist Charles Blanc’s xenophobic statements about the corrupting influence of color on French art. Gauguin embraced the “pure” colors of non-Western art, whereas Redon proposed a hybrid color palette blending new technologies and traditional models of color while extending French national identity to include the\ncultures (and colors) of colonial France.
DTEND;TZID=Pacific/Honolulu:20200304T231500Z
DTSTAMP:20260914T055354Z
DTSTART;TZID=Pacific/Honolulu:20200304T220000Z
LAST-MODIFIED:20260914T055354Z
LOCATION:Burns Hall 2118
PRIORITY:5
SEQUENCE:0
SUMMARY;LANGUAGE=en-us:"Odilon Redon, Paul Gauguin, and Primitivist Color”?
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UID:178940123437076web-support-l@lists.hawaii.edu
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