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Involved
in Art:
"Were identifying spaces, potential seating areas, and working with facilities to design things that lend beauty, discussion and comfortlow cost, probably short term works that add appreciably to the campus environment," Ruby explains. Prints and sculpture Her own artwork ranges from the whimsical to thought-provoking. Her Nancy Drew Series of screenprintsbased on books about the popular sleuthwas exhibited at the Honlulu Academy of Arts and Ramsay Galleries and is now traveling on the mainland, to Texas, Iowa and Ohio. Diamond Head Series explores land, power and the clash of cultures in Hawaii; one print hangs in the Hawaii State Museums inaugural exhibit. Among her large public sculptures are Stage SetMise en Scene at Honolulu CC, Cromlech at UH Hilo and Site of PassageChinatown in downtown Honolulu. Experience working on that scale gave Ruby the confidence to undertake the restoration of Night Hula. Confidence was required because the mural was a shambles after falling from a wall at Kamehameha Schools and being recovered from a dumpster. "The first time I saw the mural it was a rather sad day. It was all broken pieces placed randomly in cardboard boxes," Ruby recalls. With her was Yuklin Aluli, whose family commissioned the work for its original home at the Tradewinds Hotel and later donated it to Kamehameha Schools. Aluli helped solicit financial support for the restoration. Early in the restoration process, working on a grid, Mortar Board volunteers pieced the remnants like an incomplete jigsaw puzzle and marked the chipped, missing and broken sections on a template. Restoring Night Hula Ruby enlisted Martha Ridgley, ceramic artist and Hawaii Craftsman employee, as a working partner. She also solicited advice from Jane Eckelman of Manoa Mapworks, whose giant map of Hawaii graces the international section of the Honolulu Airport, and Isami Enamoto of Ceramics Hawaii, a student of Charlots who assisted with the original mural. Ridgley painstakingly documented the process as they experimented with epoxies, paints, glazes and techniques to replace two tiles and repair many others. (The documentation generated a Hamilton Library exhibit in January.) "When we first started placing groups of nine tiles together and saw that coloration matched and lines matched, then we that the mural was going to come together as a whole," Ruby recalls with satisfaction. The work was done in the garage of the Charlot home, now a university property. Installation at Saunders took three days. We met many people from the building, who came by during the installation and all had nice words for the project,she says. Its gratifying to be involved in something out in the community that benefits everyone A book on Moiliili The next community to benefit from Rubys talent is the Moiliili neighborhood makai of the Manoa campus. Ruby is working on a book with the Moiliili Community Center. It is targeted for publication in 2004, the 150th anniversary of construction of the communitys inaugural building, Kamoiliili Church. The book will include oral histories, photographs and contributions from librarians, geologists, anthropologists and cultural experts. It will explore the areas history from the church, which no longer exists, to proposals for a "college town" extension of the Manoa campus. Putting together the Moiliili book isnt a reach for Ruby. She studied literature as well as art (earning an MFA from Manoa) merging her talents for text and design in her Campus Art brochure and during her eight-year term as editor of a national journal. Count on her to continue returning art and ideas back to the community. For more
on Laura Ruby and photos of her artwork, see her page.
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