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Brenda
Kwon
Editor and Actress Joins Monologues
Brenda Kwon is
an instructor in language arts at Honolulu Community College and co-editor
of YOBO: Korean American Writing in Hawai‘i, an anthology
published by Bamboo Ridge Press. On Feb. 15, 2004, she took on an additional
role as actress in a special performance of The Vagina Monologues to
raise awareness and funds to reduce violence against women and girls.
She talked about the experience with News@UH.
What
drew you to this project?
Organizer Kathy Xian, a filmmaker and activist, asked me. I jumped at the chance
to work with her because I was so impressed with what she'd done in the past
with Girlfest, which helps organizations supporting women who are victims of
violence. I had seen The Vagina Monologues before and, like many others,
felt it was an incredibly important piece of work in terms of understanding
different women's perspectives and how some of those perspectives shed light
on our subjugation, while others lead to our strength.
What
was it like working with the authors, DJs and social service providers
on the cast?
What I love
about this cast is that, while we are all living here in the islands,
we come from so many different ethnicities and backgrounds. The ensemble
includes really amazing writers, dancers, performers, community organizers,
musicians and educators, all coming together because we believe that
there is work to be done in supporting women both here and internationally.
The rehearsals have been a lot of fun because I think, as different as
we are, we're discovering that bond.
Have
you had experience with violence against women personally or as an
educator?
The awful truth
is that most of us know women who have experienced violence. I see it
everywhere, not only in the lives of our students but, for example, in
Juarez, Mexico, where hundreds of women have been killed and mutilated,
yet little effort has been made to solve or prevent the murders. Unfortunately,
there is still the misperception that this kind of thing is a women's
issue, that men don't really need to explore these problems, when in
fact, the exact opposite is true.
To what do you attribute the violence?
The reason that every
three seconds a woman is killed, beaten or raped is because she is perceived
as less, a being over whom one exerts power. Unless we all understand that
this perception has to change, the violence will continue. And that means,
yes, our students will continue to feel it, as will we. I'm thankful that being
an educator and writer puts me in a position to open up discussion, whether
it's through a piece of literature, a student's essay or a poetry reading.
You've
been teaching at Honolulu Community College for two years, after
working at ‘Iolani School and Pasadena City College. What's
your impression?
The students at HCC are
really wonderful, as are many of the faculty I've met. A lot of
the students have had to work hard and make large efforts to get
into the classroom, and so learning takes on a different meaning
here. They have a lot of life experience, and this makes what they
bring to the table incredibly rich. I see a lot of earnestness
and heart. That makes coming in to work each day something I like,
not something I feel I have to do.
You collaborated
with fellow actress Nora Keller, Manoa writer Gary Pak and others
on YOBO. What are some of your other publishing activities?
I wrote Beyond Ke'eaumoku: Koreans, Nationalism, and Local
Culture in Hawai‘i. Many of my publications have been academic--for
instance, I recently published a chapter on the literature of Hawai'i
for Blackwell Publishing's The Regional Literatures of America--but
poetry and fiction are my first love. Some of my poetry has appeared
in dis.Orient and Amerasia journals, as well as the
anthology Making More Waves, and I'm working on a novel.
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